Proceeds towards Inner City Helping Homeless
When: Saturday April 27, 6-9pm
Where: MART Gallery, 190a Rathmines Road
Sponsors: Richmond Marketing, 8th Corner Coffee
Following the success of the first Taproot Art benefit auction for homelessness in January 2018, Ode to Urbanity is the second of it’s type, this time dedicated solely to urban in art in Ireland. 50% of the proceeds raised will go towards Inner City Helping Homeless* and the other 50% to the artists themselves.
Curated by Taproot Art Founder Sophie Murphy, and partnering with art collective SUBSET, creators of The Grey Area Project, the exhibition will feature a number of Irish street artists – including Aches, Decoy as well as a large scale piece accompanied by VR interactive installation by SUBSET themselves. Over several days SUBSET painted a 150 x 40 ft warehouse to create an immersive artistic experience. Using multiple techniques demonstrating an array of styles, symbols and subtle abstract gestural elements, SUBSET encourages the viewer to engage with the piece via virtual reality. The warehouse has been a place of practice and experimentation, and the final piece is a representation of their time spent there between 2017 and 2019. This piece displays the explosive potentiality of finding new functions for redundant spaces. There will also include a range of visual artists, including Neil Dunne and Greg Purcell, whose work generally derives from urban landscapes.
In addition to the visual element there will be a focus on Irish hip-hop by artist TBA. This will be accompanied by hip-hop Dj’s of Dublin Digital Radio (DDR), who will be supplying additional music throughout the evening, followed by a the live auction MCed by Sophie Murphy.
*Taproot will also be accepting donations of white socks for men and chocolate on the night, these items are widely desired by rough sleepers, and needed for ICHH homeless outreach distribution.
“The theme of this show is not groundbreaking, however what it does is aim to celebrate the groundbreaking advancements in urban art in Ireland over the course of the past decade – primarily in the regions of street art and hip-hop. Dublin has an ‘urban grit’ and Ireland has ‘depressive’ qualities traditionally associated with it, only in recent years resembling a manicured city you will find in the rest of the western world. This ‘urban grit’ is being retained however through the unapologetic lyrics of Irish hip hop artists as well as the un-apologeticness and ‘deviance’ of street artists alike, transforming it into something of artistic wonderment. It is also being retained, of course, through the ongoing homelessness crisis, an issue which persistently and increasingly pervades the nation producing wonderment indeed, on how it is still as desperate as ever. Art originating from Ireland and Irish people is primarily known for its transformative power: long used by Irish as a vehicle to turn a series of unfortunate and dire circumstances into something eternal & positive – this is precisely what we want to achieve with this show.”
Exhibition opening 7 March 2019
Exhibition continues 8 March – 25 April 2019
MART Gallery, 190a Rathmines Road Lower, Dublin 6.
Curated by Deirdre Morrissey.
slow motion is a presentation of new works by Jane Fogarty. The works are an exploration of time, form, colour and composition.
What you see is what you get.
Within her work, Fogarty establishes limitations from which self-dictated narratives emerge. Through these boundaries, elements of chance and endurance enter into the work. Each work is specific to the moment of its creation and, even if repeated, results differ each time. These works stem from an interest in the ways we understand the passing of time and its translation into visual language. Analogous to time, a painting can be interpreted as an accumulation of moments.
The paintings evolve without a preconceived notion of their endpoint with compositions that fold inwards. Their colour palette is predetermined, taken from a colour swatch derived from photographs of the sculptures. The paintings are made using egg tempera. With this method, the paints are made from scratch on a daily basis. Then the colour is slowly built up, layer upon layer. Much like the individual twists of wet paper pulp, patiently adhered to one another in the sculptures.
The sculptures are created using a mixture of paper, crepe paper and wallpaper paste. Paper is a ubiquitous, often throw away material, while also maintaining its affiliation as a traditional artistic material. Through manipulation, this usually flat surface acquires a three-dimensional form. Soaked paper is pulverised, drained, squeezed through a mesh and layered up individually. The lumps retain the twisted action of their making, there is a human presence in their final state.
The work is slow and contemplative in its creation due to the nature of the processes involved. The process is cyclical. The paintings inform the sculptural works and the sculptural works inform the paintings. Everything is connected. This work was made with generous support from MART gallery team, Fire Station artists studios, the Fine Art department at the Dublin Institute of Technology and all the team at D-Light studios.
MART’s 2019 Gallery Programme is supported by the Arts Council.
About the Artist
Jane Fogarty is an artist living and working in Dublin, Ireland. Her work has featured in both national and international exhibitions, including a two person exhibition, Mystery Ewer, at Artbox (2016) and three solo exhibitions; Paperwork, a site-specific installation in Harold’s Cross (2016), Mel at Eight Gallery (2014), and |’painti NG | at the Talbot Gallery (2011) as a result of receiving the Most Promising Graduate Award in 2010. Selected group exhibitions include: A ̄ ̄A A ̄ ̄A A ̄ ̄A at 126 Galway (2015); Spirit of the Stairs at Basic Space (2014); Unearth at Roscommon Arts Centre (2013); Nailing Jelly to the Wall at Catalyst Arts (2012) and ELIA’s NEU/NOW Live in Nantes, France (2010). Her work was recently added to the State Art Collection (OPW). Fogarty has also received several awards from the Arts Council, the RDS and South Dublin County Council.
MART Studio Members’ Exhibition 2019
Opens 16th May at 6pm
Runs to 27th June | 1pm -6pm Tuesday – Saturday
MART Gallery, 190a Rathmines Road Lower, Rathmines, Dublin 6
Alex de Roeck | Annie Gahan | Billy Dante | Ciaran Meister | Derek Fitzpatrick | Elaine Chapman | Elise Missall | Fintan Wall | Frances Ruby Staunton | Gavan Duffy | Guida Ribé Rovira | James Moore | Jane Frew | Joanna Hopkins | Julian King | Katarzyna Gajewska | Kate Hynes | Laura Skehan | Mariana Madoleva | Michael Bruce Weston | Michelene Huggard | Natasha Conway | Niamh Hannaford | Oriel Lett | Peadar Jolliffe-Byrne | Roisin Cunningham | SC Walsh | Scott O’Sullivan | Shane Berkery | Sinead Holly Woodnutt | Spencer Glover
MART Gallery is delighted to present the 2019 studio members’ exhibition ‘Onwards’.
This exhibition showcases the work of 30 of our current studio members who are based across MART Studios including the Fire Station studios, Parker Hill Studios, Harold’s Cross Village Studios, Kilmainham and Crumlin Studios.
The choice to become an artist is based on a compelling desire to create. The development of an artist’s practice involves hard work, an unfaltering vision and a determined belief in one’s self. There is no clear career trajectory to follow or guaranteed path to success for an artist. It can seem like an onward struggle sometimes, but it is a labour of love.
We know that having a dedicated workspace is vital for enabling artists to create art. A studio also provides a place to showcase work to curators and buyers, and acts as a social space to meet other artists. Having a studio can also often professionalise an artist’s practice as it can signify a means of further developing their artistic careers.
A key part of MART’s mission is to support our entire community of members. Providing an opportunity to exhibit work publicly allows artists to raise individual profiles, widen their access to audiences and sell their work. The title of this exhibition – ‘Onwards’ – represents the artist’s journey; of progressing forward, looking towards the next project, the next challenge, the next step. This exhibition aims to champion the collective creative output of our members wherever their journey may take them.
Solo Exhibition by James L Hayes
Runs 18th July – 5th September 2019
Opening Reception Thursday 18th July at 6pm – The MART Gallery Rathmines,
About the Artist
James L Hayes is an Irish contemporary visual artist whose current work and research practice reinvests a modernist sculptural language. Recent projects use methods of artistic production as a means by which to interrogate the boundaries between artist, artisan and art object in order to draw out the often-incongruous relationships between finished art objects, and the industrial aspects of the processes that produce these revered objects.
This research-based practice has an art historical agenda, referencing key creative influences such as the celebrated Welsh artist Barry Flanagan.
Broader research interests range from contemporary interpretations of sculptural legacies, to site-specific interventionist works that draw from traces of significant pasts and histories.
Previous works have drawn on diverse subjects such as industrial archaeology, other environmental concerns and social and economic conflicts. Hayes predominantly sculptural practice also encompasses multi- disciplinary and sensory-based sculptural installations. He exhibits his works nationally and internationally whilst also developing large-scale public art commissions and site-specific projects.
He has been awarded numerous awards and grants to support his practice and he also invests heavily in the University educational sector and work across the UK & US higher education system frequently taking part in visiting lecturing series and international cross collegial projects and events. Hayes is a graduate of Limerick School of Art & Design, De Montfort University Leicester and the University of London. He is the principal lecturer in Sculpture at the Crawford College of Art in Cork, Ireland.
Solo Exhibition by Richard Forrest
Runs 26th September to 21st November 2019
Opening Reception: Thursday 26th September at 6pm – The MART Gallery Rathmines
About the Artist:
Working across sculpture, new media, and installation, my practice is characterised by a spirit of experimentation into phenomenology, analysing human perception and technology’s role in altering our perceptual and cognitive experiences. The physical mechanisms of experience are of keen interest to me, for example, with the eye and optics, I am interested in how light is converted into electrical signals. Further, my work is influenced by the flaws that occur in such systems; perceptual flaws that affect human experience, causing misdirections by the brain(e.g. hallucinations). I seek an expanded understanding of objects in an age of virtual acceleration. In exploring our learned and visual understanding of form, material and space, I counterpoint tangible materials with virtual 3D graphic software such as Blender, to construct installations that question simulacrum and authenticity. My research is heavily influenced by contemporary notions of representation. These influences range from John Carmack, a Texas based games programmer, aerospace and virtual reality engineer, to podcast channels such as Radiolab. My most recent work was shown at the Royal Hibernian Academy, Dublin, in March ’17, as part of the exhibition Futures. The roots of this work lie with the ancient Greek philosophers and mathematicians who sought out truth, and looked for it within the rules and logic of language. The work takes logic as its point of departure – its journey as a shape-shifting entity from ancient Greece into the computer languages we use today. This link – between the logic found in Greek dialectics and its contemporary form observed in computing systems – is explored through the creation of an immersive video piece depicting a virtual environment, and manipulated plaster-cast sculptures placed on geometric plinths positioned within the gallery space. Since completing my BA honors degree in Fine Art from Crawford College of Art & Design in Cork, Ireland in 2011, I maintained a committed studio-based practice, supported by a number of awards. I have presented solo exhibitions and participated in several group shows.
SMART Talks is a new series of professional development presentations and workshops, providing a platform for artists and the creative community to engage with a curated selection of creative agencies, councils, artistic supports, professional creative practices, and funding providers. There will also be a space for wider discussions of issues such as arts & mental health, wellbeing, diversity and accessibility in the arts.
By providing these talks in The MART Gallery, Dublin – alongside our gallery programme and studio network – we hope to foster an environment where creativity can flourish as a professional career, where new practices can establish themselves, and where artists and creatives have the space to engage critically with contemporary issues.
Upcoming SMART Talks
Friday 3 May & Saturday 4 May – ‘How to survive as an artist and maker in Ireland today.’ – Led by 4D Space. – BOOK HERE
Rescheduled date: Thursday 9 May – ‘Women in Film and TV’ – Led by Vanessa Gildea. – BOOK HERE
Previous SMART Talks
Wednesday 6 February 2019 – Caroline Ryan, Education and Outreach Officer at the Design & Crafts Council of Ireland will discuss available supports for designers, artists and craftspeople.
Thursday 7 February 2019 – Claire Meaney, Acting Arts Director of Waterford Healing Arts Trust (WHAT), and Emma Eager, Project Co-ordinator of artsandhealth.ie, the national website for arts and health, will talk about arts and health practice in Ireland.
Thursday 3rd May 2018 – Information session with Local Enterprise Office.
Tuesday 10th July 2018 – Visual Artists Ireland Help Desk.
Thursday 2nd August 2018 – Arts Council Funding with Aoife Tunney of the Arts Council of Ireland.
Wednesday 29th August 2018- Presentation from Jenny Walton of Culture Ireland
Saturday 15th Sept 2018 – ‘Ad Infinitum’ – Led by Róisín Power Hackett & Ruth Kerr
10th Nov 2018 – ‘Cultural Engagement in the Age of Trump’ – led by Dan O’Neill and Fiona Kenny
2019 will be a busy year of exhibitions at The MART Gallery Dublin with exhibitions featuring Richard Forrest, James L Hayes, Jane Fogarty, plus awardees Emma McKeagney (Fire Station Artists’ Studios Sculpture Award) and Eanna Heavey & Sarah Diviney (MART CIT Crawford Graduate Award) and an exhibition featuring work from MART Studio members.
In addition to our exhibitions we will also host a fresh series of SMART Talks throughout the year, with presentations from artists, creatives, and funding & support bodies.
This exhibition programme is made possible with the generous support of the Arts Council.