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Freedom of Movement




Freedom of Movement

Nina Fischer & Maroan el Sani

Curated by Deirdre Morrissey supported by Directors Matthew Nevin & Ciara Scanlan.

The exhibition is kindly supported by The Arts Council of Ireland,  Goethe Institut Dublin and the  Institut für Auslandsbeziehungen

Opening reception: Thurs 24 August 6pm – 8pm

Exhibition continues: 25 Aug – 22 Sept 2017

Gallery Open: Tues – Sat, 1pm -6pm

Closing event: Late Opening for Culture Night, Friday 22 September 2017 – 5-9pm

 

The MART Gallery’s curatorial vision for 2017 is to select artists who work under the parameters of risk and political agitation, creating powerful, informative and experimental work. We are delighted to present ‘Freedom of Movement’ an exhibition of film work by renowned German artists Nina Fischer & Maroan el Sani.

MART first introduced the work of Fischer & el Sani to Ireland in 2014 when the artists presented film works ‘Narita Field Trip’ and ‘Spelling Dystopia’ in an exhibition curated by Barry Kehoe.  Both pieces were created when the artists were Associate Professors at the School of Art and Design in Sapporo City University in Japan and explored tensions that arise between the forces of globalisation and specific local narratives.

Always keen to build upon established relationships with international artists, MART has invited Fischer and El Sani back to Dublin for the presentation of two recent film installations ‘Identity’s Rule of Three’ (2015) and ‘Freedom of Movement’ (2017) These films pose questions on various aspects of human identity and society, the limits of geographical, artistic and social structure, and race relations.

Nina Fischer & Maroan el Sani are visual artists and directors who have worked collaboratively since the 1990s and both live and work in Berlin. Through their work they have explored narratives in various sites around the world juxtaposing hidden histories with the lived experiences of contemporary society and questioning cultural perspectives

Fischer & el Sani have participated in numerous international exhibitions, including Seoul Media City Bienniale (2014, 2012), Aichi Triennale (2013), Curitiba Biennale (2013), the Istanbul Biennale (2007), the Gwangju Biennale (2008, 2002, 1995), the Sydney Biennale (2002), Manifesta 4, Frankfurt (2002), Liverpool Biennial of Contemporary Art (1999).

Their solo shows have been hosted by, among others: Maxxi Museum, Rome (2017), K21 – Kunstsammlung NRW, Düsseldorf (2016), MART, Dublin (2014), Museu de Arte Moderna Aloisio Magalhães, Recife (2013), the Berlinische Galerie – Museum of Modern Art, Berlin (2012), the Austin Museum of Art – Arthouse, Austin (2012), the Hiroshima Museum of Contemporary Art (2010), the Cobra Museum, Amstelveen (2010), Kunsthaus Glarus (2009), the Stedelijk Museum Bureau, Amsterdam (2007), Yamaguchi Center for Arts and Media (2005), Metropolitan Museum of Photography, Tokyo (1998)

Identity’s Rule of Three

HD, colour, stereo, 20 min., 2015

An an­i­mated film that seizes the highly controversial de­bate around the planned pre­sen­ta­tion of eth­no­log­i­cal col­lec­tions in the re­con­structed Berlin City Cas­tle as an op­por­tu­nity to en­vi­sion a dif­fer­ent fu­ture. Play­ful and yet se­ri­ous, it ex­plores ques­tions of au­then­tic­ity and iden­tity of the in­di­viduum, art, ar­chi­tec­ture and so­ci­ety.

Freedom of Movement

3 chan­nel video in­stal­la­tion, HD, 9:45 min, 2017

Evok­ing the Olympic marathon from Rome 1960, in which the Ethiopian Abebe Bik­ila con­quered the African con­ti­nent’s first gold medal, run­ning bare­foot and be­com­ing a sport­ing leg­end and a sym­bol of an Africa that is free­ing it­self of colo­nial­ism, Fis­cher & el Sani have re­con­tex­tu­alised amidst Rome’s ra­tio­nal­ist ar­chi­tec­ture, a new race in­volv­ing refugees and im­mi­grants stak­ing a claim to their “free­dom of move­ment”, also un­der­stood as the pos­si­bil­ity of being welcomed in an­other coun­try.

Freedom of Movement

 

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Trouvées Métrage / Found Footage




Preview: Thursday 20 June 2017 @ 6pm

Location: The MART Gallery, 190A Rathmines Rd, Lwr, Dublin 6.

Runs to: 18 August 2017

Open: Tues-Sat: 1-6pm 

Video Interview: Deirdre Morrissey in Conversation with Yann Beauvais and Pierre Jolivet 

 

MART are proud to present Trouvées Métrage – an exhibition of experimental French digital media artwork in July 2017. Curated by Deirdre Morrissey and supported by directors Matthew Nevin and Ciara Scanlan, the exhibition opens at the MART Gallery, Dublin on Thurs 20th July and runs until 18th August 2017.

For our 2017 programme MART embarks on an ambitious new program curating artists to work under the parameters of risk and political agitation. Trouvees Métrage brings together four artists working in digital media whose practice tests and stretches the material and immaterial and challenge conventions of ‘the norm’. The artwork to be presented has been selected or ‘found’ through the Espace Multimedia Ganter collection of digital media artworks.

Artists selected are Yann Beauvais, Nicolas Montgermont, Antoine Schmitt and Pierre Jolivet.

Renowned experimental filmmaker Yann Beauvais presents three short films: p.a.c.i.f.i.c.a.ç.ã.o reaja ou será morto, which highlights police brutality in Rio de Janeiro, Brazil; alongside experimental works ‘entre-deux-mondes’ (2010)  and ‘Hezraelah’ (2006).

Nicolas Montgermont is an artist who works with sound waves through the vibration of materials and their propagation, Radioscape, 2016  was created from radio recordings made in a small farm in Besseuil, a rural area in the East of France. The nearly complete radio spectrum has been recorded methodically during weeks and assembled into one sound installation.

Antoine Schmitt creates artworks in the form of objects, installations and situations to address the processes of movement. Ballets Quantiques (Quantum Ballets) is an infinite generative visual artwork, where a choreography of a crowd of pixels display apparently arbitrary and independent movements, but are actually programmed by the same quantum-type equation

Pierre Jolivet is a visual artist whose work explores the limits of sound and space through multimedia performances. Pierre will also present a dynamic live multimedia interactive performance on the opening night.

 

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Activating Pangea: Destroy These Walls




Opens: July 8th @ 6pm – 9pm with Live Performances @ 7pm

Runs to: JULY 8TH – AUGUST 5TH

Location: Arena 1 Gallery, Santa Monica Art Studios, 3026 Airport Avenue Santa Monica, CA 90405

Artists: Margaret O’Brien, James L Hayes, Steven Maybury, Katherine Nolan, Terence Erraught.

The MART Gallery curators Matthew Nevin & Ciara Scanlan are delighted to invite you to the preview of Activating Pangea: Destroy These Walls at 6pm on July 8th at Arena 1 Gallery, Santa Monica, Los Angeles.

Featuring new work from leading Irish contemporary visual artists, including live performances on the night by Cindy Rehm, Terence Erraught, Katherine Nolan, Thinh Nguyen, Meital Yaniv.

For the third exhibition in the Activating Pangea series Destroy These Walls, curators Matthew Nevin & Ciara Scanlan of The MART Gallery Dublin Ireland, have curated a selection of artists to work under the parameters of risk, political agitation and ephemerality. Highlighting this impermanence any of the artworks which are not sold during the exhibition will be destroyed after closing. By encouraging participating artists to explore and reinvent material, technologies and methodologies, the curators have pushed for work that can provoke the limitations of the gallery environment, producing powerful, informative and experimental new work.

The curators encouraged the artists to be reactionary and politically engaged in their approach to their practice and tease out new radical ways of viewing and perceiving their art works. “There is something real in the illusion, more real than in the reality behind it” – Slavoj Žižek. This illusion acts as the power of the artist to present a world through an altered focus, to show the viewer aspects of the world that are warped and exposed. The artist – often working as the mirror for society – creates new dialogues that challenge conventional views on politics and culture, pushing for examination on our preconceived expectations of what contemporary art is and what relevance it has for the society we live in.

James L Hayes draws upon the material residues and traces of history, with interest in sites that possess a specific or significant history. Katherine Nolan explores tensions between the experiential and spectacular body. Margaret O’Brien’s work inhabits critical spaces of failure, malfunction, and slippage, and is explored through relationships between artist’s research, practice and outcome. Steven Maybury appropriates found and sourced materials to be re-contextualised, and looks to defuse our obsession with archiving, security, permanency and preservation. Terence Erraught’ practice encompasses predominantly digital video, video installation and performative events with areas of exploration which include humour, everyday absurdities, site specific engagement and the incorporation of domestic objects.

‘Activating Pangea’ is three year series of exhibitions curated by MART {Dublin}, who will work with Los Angeles based galleries and art fairs to strategically promote leading Irish Contemporary Visual Artists.

Kindly Supported by Culture Ireland and The Arts Council of Ireland. Special Thank You to Arena 1 Gallery & Santa Monica Art Studios.

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Performance Poster - Arena 1 - Destroy These Walls

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Dragons of Eden | Aoibheann Greenan & Terence Erraught




MART curators Matthew Nevin & Ciara Scanlan are delighted to present Dragons of Eden, an exhibition featuring Aoibheann Greenan and Terence Erraught, with thanks to Arts Council Ireland and Dublin City Council.

Preview: Thursday 15 June 2017 @ 6pm

Location: The MART Gallery, 190A Rathmines Rd, Lwr, Dublin 6.

Runs to: 13 July 2017

Open: Tues-Sat: 1-6pm 

Facebook Photo Gallery 

 

‘Dragons of Eden’ featuring work by Aoibheann Greenan {Gallery 1} and Terence Erraught {Gallery2} addresses mythological and real world societal challenges. The curators invited the artists to produce work that can provoke the limitations of the gallery environment, producing informative and experimental new work that can tease out radical ways of viewing and perceiving our culture and society. Greenan and Erraught have responded here with powerful creations that take on alternative perspectives on gender representation via symbols and icons of ancient cultures experienced through a schema of digital means.

Aoibheann Greenan presents The Eighth Seal, an installation and audio piece prompted by the Repeal the 8th movement and the ongoing struggle of Irish Women over the right to bodily autonomy. A radio interview reimagines the origins of Sheela na Gigs, ancient carvings scattered throughout Ireland depicting figures with exposed vulvas. Eschewing the tendency to interpret the Sheela through patriarchal narratives, the work proposes the symbol as both a harbinger of emancipation and metaphor for resistance. Esoteric and posthumanist motifs permeate the work, echoing the historical link between radical speculative fiction and movements for social change. The installation conjures a site for gathering, a space for consciousness raising, for invoking, for conspiring.

Terry Erraught’s work explores the masculine agenda of the contemporary artwork by addressing audiences increasingly desensitization of socio-political heinous events. In an era of instant digital media distribution, brutal violence appears to have become part of our daily routine, with audiences becoming increasingly indifferent. By engaging with mainstream media but using a primitive, ritualistic approach, Erraught attempts to connect with world events as they occur and enter our psyche. ‘Composition’ is a durational digital video painting, rather than an episodic performance, which contains references to multiple catastrophic events in recent times. Through a recognisable mythological and art historical aesthetic, the artist draws on his own personal experiences by physically manifesting into each of the constituent characters and situations in the video work. This can also be seen in Erraught’s second piece Saturn (The world revolves around me) which is a smaller installation or 3D painting recorded from a live performance. It is heavily influenced by Goya’s black paintings which portray Goya’s embittered attitude toward mankind, and struggles with panic, fear and hysteria specifically ‘Saturn Devouring his Son 1820-23’.

Dragons of Eden MART Gallery

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Echo Chamber | EUCIDA 2017 EXHIBITION




Echo Chamber – EUCIDA 2017 Exhibition  

Featuring: Jeanne Briand, Adam Gibney, Fabien Leaustic, Helen Mac Mahon, Rasa SmitePaula Vitola.

Curated by Matthew Nevin of MART, Assistant Curator, Deirdre Morrissey.

Lūznava Manor Rēzeknes | Latvia: 9th June – 31st August 2017

RUA RED | Ireland: 16th June – 5th August 2017 

Gantner Multimedia Space | France: 24th June – 22nd July 2017

 

European Connections in Digital Arts / EUCIDA is a 3 year project funded by Creative Europe led by RUA RED Ireland in partnership Gantner Multimedia Space, France and Lūznava Manor Rēzeknes, Latvia. The Project aspires to work collaboratively while demonstrating innovation and high standards contributing to making the Digital Arts sector highly visible internationally.

“an echo chamber is a metaphorical description of a situation in which information, ideas, or beliefs are amplified or reinforced by transmission and repetition inside an “enclosed” system, where different or competing views are censored, disallowed, or otherwise underrepresented.”[link]

As a curatorial platform for creation of new work, Echo Chamber has encouraged the dialogue of art and technology as a means of sharing experience and creative practice. Exhibiting simultaneously across Ireland, Latvia and France it showcases six contemporary visual artists, two from each of the host countries, whose practice is rooted in various aspects of digital technology.

Its primary aim to create an accessible conversation and debate between the digital arts, technology, politics, culture and society in an accessible way to a European wide public. The three parallel exhibitions, which mirror each other, will analyse how culture, politics and socio-economical issues are bounced around, applauded, and never truly open within one’s own Echo Chamber; i.e colleagues, friends, families etc.

The exhibitions provide a platform for the artists to push conversation beyond the normal realms of an art audience or local groups, to a further international and trans European audience. By encouraging participating artists to explore and reinvent material, technologies and methodologies, Matthew Nevin, the curator, has worked alongside the artists to re/produce work that can provoke the limitations of the ‘Echo Chamber of the normal gallery environment, into producing powerful, informative and experimental new work to a wider audience.  

These artists, often working as the mirror for society, will create new dialogues that challenge conventional views on politics and culture; pushing for examination of our preconceived expectations of what is contemporary art and its relevance to the society we live in. The curator has encouraged the artists to be reactionary and politically engaged in their approach to their practice and tease out new radical ways of viewing and perceiving their art works through technology.

Helen Mac Mahon, who creates artwork through experimentation and investigation into the phenomena of light, movement, perception and space, has produced ‘Mirror Affect’ an interactive piece playing with the mirrored image using a combination of everyday objects and live digital technology.

Jeanne Briand forges links with new technology and craftsmanship to create beautiful sculptural pieces that reference fantasy and trans-aesthetics. Briand’s ‘Gamete Glass’ propose a new form of life, and the origin of the sounds they emit serves to raise questions in the viewer’s mind about the artifice or real existence of the animated forms.  

Fabien Leaustic creates sculptural work which while physical has an ephemeral aesthetic. Leaustic’s work ‘Hello World’ activated by the presence of the visitor disturbs our interpretation of our world, evoking an emotional response juggling a naive optimism and a dark poetic duality that defines us.  

Rasa Smite is an artist, network researcher and cultural innovator, working with science and emerging media technologies. Smite’s artwork ‘Talk to Me’ is a human-plant communication interface, through which people were asked to send encouraging messages via text & social media to the growing plants, “equipped” with web-cam, wi-fi and loudspeakers.

Adam Gibney’s artwork is generally realised through sculpture, installation, sound and video. ‘Conundrum 8: I am somewhere between we and they’ questions the political and personal use of pronouns. Playing a key role in the construction of the ‘self’ and the ‘other’, pronouns help toward the creation and division of societies. 

Paula Vitola works through media art & archeology, researching relationships between human and technology. Her work encompasses experimenting with technology and nature, programming and gadget-hacking.

More Information

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MART's 2017 Programme




MART presents ‘Destroy These Walls’.

A year long series of exhibitions curated by Ciara Scanlan, Matthew Nevin and Deirdre Morrissey,

in The MART Gallery, Dublin, RUA RED, Dublin and Arena 1 Gallery, Los Angeles

with support from Arts Council Ireland and Culture Ireland.

Dates Exhibition Title Artists Description
12th Jan – 24th Feb SCHOOL DAYS Tomoko Sawada Solo Exhibition of leading Japanese Artist, featuring the video work ‘MASKS’ and photography series School Days & OMIAI♡.
2nd – 31st March The Mistress of the Mantle Katherine Nolan Solo Exhibition of Video & Performance Artist.
6th April – 4th May Transmission

Sofie Loscher

Helen MacMahon

Exhibition with a focus on light and perception.
11th May – 8th June A Rhythm Exposed (Routines 5-6) Steven Maybury Exhibition on the mechanics behind sculpture and conceptual drawing.
15th June – 13th July Dragons of Eden

Aoibeann Greenan

Terence Erraught

Exhibition showcasing live performance art and installation
20th July – 18th August Trouv​ées Métrage

Yann Beauvais,

Nicolas Montgermont,

Antoine Schmitt,

Pierre Jolivet.

Exhibition of French Digital Artists supported by The Cultural Service of the Embassy of France in Ireland
24th Aug – 22nd Sept Freedom of Movement Nina Fischer & Maroan el Sani Exhibition of German Artists supported by Goethe-Institut Irland
28th Sept – 27th October The Fire Station Artist’s Studios Residency Award Exhibition Announced Soon Exhibition in connection with The Fire Station Artist’s Studios Residency Award 2016.
2nd Nov – 1st Dec Performance Graduate Award Announced Soon Exhibition of Two Recent Graduates of Crawford College of Art and Design, Cork.
4-8th December Symposium Programme Artists & UCD Partners Collaboration between UCD Professors and Artists showcasing in MART’s 2017 programme
Offsite
RUA RED  /Glitch Festival 2017

David Beattie

Livestock

Cliona Harmey

Robin Prince

David Lunney

Richard Forrest

Cathy Coughlan

Cécile Babiole

/Glitch Festival is Ireland’s leading Digital Arts Festival that brings together artists utilising media and technology.
International

 June 2017

 

RUA RED

Gantner Multimedia Space

Lūznava Manor Rēzeknes

Echo Chamber

Jeanne Briand 

Adam Gibney

Fabien Leaustic

Helen MacMahon

Rasa Smite

Paula Vītola

Curated by Matthew Nevin, ‘Echo Chamber’ aims to create an accessible dialogue between the digital arts and its interpretation of politics, culture and society, as part of Creative Europe’s EUCIDA project led by RUA RED in partnership Gantner Multimedia Space France and Lūznava Manor Rēzeknes Latvia. Three simultaneous exhibitions will feature six contemporary visual artists two from each of the host countries.


Arena 1 Gallery

Los Angeles

8th July – 5th August

Activating Pangea: Destroy These Walls

James L Hayes

Katherine Nolan

Margaret O’Brien

Steven Maybury

Terence Erraught

MART curators Matthew Nevin & Ciara Scanlan have curated a selection of artists to work under the parameters of risk and political agitation.
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Supported by The Arts Council of Ireland, Dublin City Council & Culture Ireland.


‘Destroy these Walls’ 2017:

“One reason for making and exhibiting a work is to induce a reaction or change in the viewer…. In this sense, the work as such is nonexistent except when it functions as a medium of change between the artist and viewer.” Adrian Piper

“Experimental art today is increasingly concerned with the complex relationships involved in seeing, defining, framing and responding to pressing events.” – Jill Bennett, Institute Director of UNSW National Institute for Experimental Arts

Curatorial Vision:

For 2017 MART embarks on an ambitious new program curating selected artists to work under the parameters of risk and political agitation. By encouraging participating artists to explore and reinvent material, technologies and methodologies, the curators shall work alongside the artists to produce work that can provoke the limitations of the gallery environment, producing powerful, informative and experimental new work.

We will encourage our artists to be reactionary and politically engaged in their approach to their practice and tease out new radical ways of viewing and perceiving their art works. “There is something real in the illusion, more real than in the reality behind it” - Slavoj Žižek. This illusion acts as the power of the artist to present a world through an altered focus, to show the viewer aspects of the world that are warped and exposed. The artist – often working as the mirror for society – creates new dialogues that challenge conventional views on politics and culture, pushing for examination on our preconceived expectations of what contemporary art is and what relevance it has for the society we live in.