Until It’s Time For You to Go



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Until It’s Time For You To Go 

Andrew Carson 

Curated by Ciara Scanlan

Opening 26 August 2020 

Open Wed-Sat – 1-6pm

Runs to 18 September 2020 

MART Gallery is delighted to present Until It’s Time For You To Go – a new solo exhibition from artist Andrew Carson

‘I never wanted to build a “body of work,” but to preserve these, our bodies, breathing and unaccounted for, inside the work. Take it or leave it. The body, I mean.’

 – Ocean Vuong, On Earth We’re Briefly Gorgeous

 

This body of work explores moments of intimacy and connection between queer bodies. Through drawing, sound and text this exhibition unfolds intimate acts and feelings of closeness in casual circumstances, an impermissible situation within the current social restrictions.

A series of digitally rendered drawings of the hands of five male casual sexual partners, reference Michelangelo’s Creation of Adam. An iconic image embedded in, and inextricable from, definitions of communion, creation and humanity. The drawings reveal the limits of the process of their technological creation through glitches and malfunctions. Hypothetically capable of rendering the “perfect” drawing, the outputs convey a mimicry of human capability for error. The simulacra of bodily creation through digital methods references the disjointed nature of the sexual encounters that began the work, reducing the intimate act to a meaningless transactional reproduction.

These drawings unite with the sound playing in the gallery space. To create a symphony of lovers past, the artist asked these five dalliances for their DNA samples that he then processed to create music extracted from their individual genetic code. The music you hear is a codified expression of the individuals’ genetic code. DNA markers are assigned specific notes before being algorithmically harmonised. The music is the song of the disembodied body, separated from its original context, imbued with its own agency.

About the Artist

At the core of Andrew Carson’s practice is the exploration of the body and interpersonal interactions through the mediums of digital technology. Examining social structures, systems, and methods of communication, he is interested in the use and effects of digital devices and social media as the modern ubiquitous means of contact.

Influenced by Transhumanist thought, questions that continuously arise for Carson include; how do we reconcile virtual and physical realities, and can we overcome the psychological distances inherent in digital interaction? 

Carson’s work is installation based, often as a response to, and in conversation with, specified spaces. He works in a variety of media, including digital sound and image, print, and paper.

Andrew Carson is based in Dublin, recently finished an MFA in NCAD in 2019, having graduated from DIT with a BA Fine Art in 2010. He has shown in solo and group exhibitions extensively around Ireland, the UK, Greece, Italy, Spain, Poland and Japan. His work is featured in private and the OPW state collections.




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Echo Chamber | EUCIDA 2017 EXHIBITION




Echo Chamber – EUCIDA 2017 Exhibition  

Featuring: Jeanne Briand, Adam Gibney, Fabien Leaustic, Helen Mac Mahon, Rasa SmitePaula Vitola.

Curated by Matthew Nevin of MART, Assistant Curator, Deirdre Morrissey.

Lūznava Manor Rēzeknes | Latvia: 9th June – 31st August 2017

RUA RED | Ireland: 16th June – 5th August 2017 

Gantner Multimedia Space | France: 24th June – 22nd July 2017

 

European Connections in Digital Arts / EUCIDA is a 3 year project funded by Creative Europe led by RUA RED Ireland in partnership Gantner Multimedia Space, France and Lūznava Manor Rēzeknes, Latvia. The Project aspires to work collaboratively while demonstrating innovation and high standards contributing to making the Digital Arts sector highly visible internationally.

“an echo chamber is a metaphorical description of a situation in which information, ideas, or beliefs are amplified or reinforced by transmission and repetition inside an “enclosed” system, where different or competing views are censored, disallowed, or otherwise underrepresented.”[link]

As a curatorial platform for creation of new work, Echo Chamber has encouraged the dialogue of art and technology as a means of sharing experience and creative practice. Exhibiting simultaneously across Ireland, Latvia and France it showcases six contemporary visual artists, two from each of the host countries, whose practice is rooted in various aspects of digital technology.

Its primary aim to create an accessible conversation and debate between the digital arts, technology, politics, culture and society in an accessible way to a European wide public. The three parallel exhibitions, which mirror each other, will analyse how culture, politics and socio-economical issues are bounced around, applauded, and never truly open within one’s own Echo Chamber; i.e colleagues, friends, families etc.

The exhibitions provide a platform for the artists to push conversation beyond the normal realms of an art audience or local groups, to a further international and trans European audience. By encouraging participating artists to explore and reinvent material, technologies and methodologies, Matthew Nevin, the curator, has worked alongside the artists to re/produce work that can provoke the limitations of the ‘Echo Chamber of the normal gallery environment, into producing powerful, informative and experimental new work to a wider audience.  

These artists, often working as the mirror for society, will create new dialogues that challenge conventional views on politics and culture; pushing for examination of our preconceived expectations of what is contemporary art and its relevance to the society we live in. The curator has encouraged the artists to be reactionary and politically engaged in their approach to their practice and tease out new radical ways of viewing and perceiving their art works through technology.

Helen Mac Mahon, who creates artwork through experimentation and investigation into the phenomena of light, movement, perception and space, has produced ‘Mirror Affect’ an interactive piece playing with the mirrored image using a combination of everyday objects and live digital technology.

Jeanne Briand forges links with new technology and craftsmanship to create beautiful sculptural pieces that reference fantasy and trans-aesthetics. Briand’s ‘Gamete Glass’ propose a new form of life, and the origin of the sounds they emit serves to raise questions in the viewer’s mind about the artifice or real existence of the animated forms.  

Fabien Leaustic creates sculptural work which while physical has an ephemeral aesthetic. Leaustic’s work ‘Hello World’ activated by the presence of the visitor disturbs our interpretation of our world, evoking an emotional response juggling a naive optimism and a dark poetic duality that defines us.  

Rasa Smite is an artist, network researcher and cultural innovator, working with science and emerging media technologies. Smite’s artwork ‘Talk to Me’ is a human-plant communication interface, through which people were asked to send encouraging messages via text & social media to the growing plants, “equipped” with web-cam, wi-fi and loudspeakers.

Adam Gibney’s artwork is generally realised through sculpture, installation, sound and video. ‘Conundrum 8: I am somewhere between we and they’ questions the political and personal use of pronouns. Playing a key role in the construction of the ‘self’ and the ‘other’, pronouns help toward the creation and division of societies. 

Paula Vitola works through media art & archeology, researching relationships between human and technology. Her work encompasses experimenting with technology and nature, programming and gadget-hacking.

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