Preview: Thursday 20 June 2017 @ 6pm
Location: The MART Gallery, 190A Rathmines Rd, Lwr, Dublin 6.
Runs to: 18 August 2017
Open: Tues-Sat: 1-6pm
MART are proud to present Trouvées Métrage – an exhibition of experimental French digital media artwork in July 2017. Curated by Deirdre Morrissey and supported by directors Matthew Nevin and Ciara Scanlan, the exhibition opens at the MART Gallery, Dublin on Thurs 20th July and runs until 18th August 2017.
For our 2017 programme MART embarks on an ambitious new program curating artists to work under the parameters of risk and political agitation. Trouvees Métrage brings together four artists working in digital media whose practice tests and stretches the material and immaterial and challenge conventions of ‘the norm’. The artwork to be presented has been selected or ‘found’ through the Espace Multimedia Ganter collection of digital media artworks.
Renowned experimental filmmaker Yann Beauvais presents three short films: p.a.c.i.f.i.c.a.ç.ã.o reaja ou será morto, which highlights police brutality in Rio de Janeiro, Brazil; alongside experimental works ‘entre-deux-mondes’ (2010) and ‘Hezraelah’ (2006).
Nicolas Montgermont is an artist who works with sound waves through the vibration of materials and their propagation, Radioscape, 2016 was created from radio recordings made in a small farm in Besseuil, a rural area in the East of France. The nearly complete radio spectrum has been recorded methodically during weeks and assembled into one sound installation.
Antoine Schmitt creates artworks in the form of objects, installations and situations to address the processes of movement. Ballets Quantiques (Quantum Ballets) is an infinite generative visual artwork, where a choreography of a crowd of pixels display apparently arbitrary and independent movements, but are actually programmed by the same quantum-type equation
Pierre Jolivet is a visual artist whose work explores the limits of sound and space through multimedia performances. Pierre will also present a dynamic live multimedia interactive performance on the opening night.
I engage with sound, sculpture and electronics in my practice as a means to dissect and manipulate language. The work grapples with parts of knowledge generated by Modern Physics that are hard to imagine or convey in words as certain theories or principles are non-intuitive. I am interested in how our symbolic descriptions of reality, even the axiomatic, have proven to be only temporary and tentative.
The solid formal structures that held truth now exist precariously within the newfound multitudes of reality. The rigorous quest for certainty seems to only expand the terrain of uncertainty. Man has created an abstract language in Mathematics to convey underlying governing principles of our reality, and in so doing a platonic world is created. This world can often become difficult or impossible to convey in everyday language; it is in these places that our imagination and perception are tested.
To delve into the ambiguous nature of the language we use to describe these inherently uncertain fields, I create generative code and installation. Through the programming of interactive code, which embodies scientific principles and quandaries, I aim to overcome the difficulties of uncovering fundamental truths about the world through the abstract manipulations of words and concepts. Using a minimalist approach to installation design, I try to manoeuvre the use of technology for aesthetic and physical application.
Adam Gibney is a Dublin based artist who graduated from IADT in 2010. He was the recipient of the IMOCA Graduate Award, the Aileen MacKeogh Award and the Siamsa Tíre Emerging Artist Award. His solo exhibitions include Limbo-Excavated (2011), RE:definition (2012) , Exercises of an Audionaut (2014) and Euclid, I miss you…(2016). Other notable exhibitions include Futures (Royal Hibernian Academy, 2014), The Reverberatory (Queen Street Studios, 2013) and Around a Volta (Chateau de Servieres, 2011). His work has been exhibited across Europe and America. In 2014, Adam collaborated with actress Caitríona Ní Mhurchú on Eating Seals and Seagulls Eggs, which was shown at the Dublin Fringe Festival (Project Arts Centre) and the Edinburgh Fringe Festival (The Pleasance). From 2014 to 2016, he also worked as a part-time Assistant Lecturer in Fine Art New Media in the School of Creative Arts at DIT Grangegorman. In July 2016, Adam represented Ireland in the V Moscow Biennale for Young Art – Deep Inside. Most recently, Adam exhibited alongside Brian Duggan in The Voyage in CB1 Gallery, Los Angeles.
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