Opening: 27 October 2018 @6pm
Runs to: 17 November 2018 – Open: Wed – Sat, 1-6pm
Hangar Galleries, Santa Monica Art Studios, 3026 Airport Ave, Santa Monica, California
Curated by Matthew Nevin & Deirdre Morrissey.
MART Gallery & Studios Dublin curators Matthew Nevin & Deirdre Morrissey are delighted to present Transmission an exhibition featuring Irish Artists Sofie Loscher, Helen Mac Mahon & Robin Price in the Hangar Galleries, Los Angeles as part of Irelandweek 2018. Within their work, the artists examine and reinvent light as a material, producing experimental methodologies to act as a mirror and analysis of the structure of our world.
Featuring Live Performances and readings from local artists & performers on the opening night; including Zeina Baltagi, Jenny Minniti Shippey, Thinh Nguyen, Marc-Ivan O’Gorman, Rachel Rath, and Patrice Roth.
Transmission explores light as catalyst to investigate the risks in our everyday life. By creating dialogues which challenge conventional views, the exhibition aims to push preconceived expectations of how visibility works and is understood. The exhibition surveys the processes of how light moves through space, exploring both its and our expectations of its functions. The way that light moves through space can often bring forward new possibilities in presentation and representation, igniting exploration through visibility and quite often producing overlooked qualities. The works explore visibility, the process of perception, expectations versus function and assesses how our beliefs or understanding of light can be changed or manipulated through positioning, alignment and juxtaposition.
The artwork explores light in its most basic form and the processes behind visibility. The installations redirect the viewer’s attention away from the object and towards the process of perception. The work uses unconventional sculptural media with a scientific underpinning. It makes connections between the physical world and the visual world, examining issues of visibility, stability, perception and contradiction. Her polarised geometric sculptures and cyanotype prints examine how light moves through space, through objects and to picture how we move in relation to it – these optical devices and materials reveal a way to better understand light. The works expose how we see refracted and redirected light, and how a change in direction might affect our perception.
“The work created for Transmission explores materials, our expectations around their function and how these beliefs might be confounded. Everyday materials are used, in particular those that seem fixed and certain, such as concrete and glass. These materials make manifest the external structure of our world and serve to reflect this world back to us. But, through simple manipulations, be it the introduction of an additional element or the presentation of an object en masse, new potentials for the materials are created. Bringing to light previously overlooked qualities and revealing new possibilities, the potential to see beyond limitations and restrictions associated with certain materials is focused on while also emphasising active discernment rather than blind trust in their more traditional functions.”
The works in this exhibition make visible the outcomes of a collaboration between digital artist Robin Price and environmental scientist Francis Pope. Experimental photography – recorded using a custom-built digital light painter and wearable sensors – capture the extent of air pollution present by enlarging microscopic particulates which are usually invisible to the naked eye. Images which indicate a greater density depict higher numbers of hazardous particulates. These images were made in sites around the UK and Ireland, as well as those which are most vulnerable to the health effects of pollution including India, Mexico and East Africa.
‘Activating Pangea: The Voyage’
Nov 5th – Dec 4th 2016
CB1 Gallery Los Angeles
Dublin based curators Matthew Nevin & Ciara Scanlan of MART have embarked on a 3 year initiative to bring leading and emerging contemporary Irish art to Los Angeles through their series ‘Activating Pangea’.
This the second exhibition in the series titled ‘Activating Pangea: The Voyage’ showcases recent work by Irish Artists Brian Duggan and Adam Gibney. It reflects on geopolitics over time and space, as we transverse language and negotiate real and imagined places in a global context. The artworks crossing in the gallery are Adam Gibney’s ‘Euclid, I miss you…’ and Brian Duggan’s ‘A Cause for concern but not alarm’.
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Gibney’s work targets the quest for certainty. He states, “Man has created an abstract language in Mathematics to convey underlying governing principles of our reality, and in so doing a platonic world is created. This world can often become difficult or impossible to convey in everyday language; it is in these places that our imagination and perception are tested.” In this exhibition the points of which Gibney’s work targets reality, linguistics and technologies intermingle with the symbolic annotations of the everyday.
Duggan’s work is informed by the way in which we live now. Duggan’s work questions the aspirations and assumptions that are interlinked within the scientific and social framework of energy consumption and legacy planning. The systems in place are always evolving, attempting to catch up to an elusive plateau that is inherently unstable. Through the work presented here Duggan “plunges the viewer into a realm where seemingly casual navigation of space bespeaks chilling (hi)stories”
‘The Voyage’ allows the visitor to refocus their own experiences and memories through the interpretation and assimilation of language and analyse their own exploitative journeys through space and time. Focusing on the quest for answers of our own existence and our place within an imagined world without borders, without physical and cultural barriers, the exhibition suggests new ways of being and thinking, while investigating the conditions of concerning events and symbolics of reality.
Download the Exhibition Handout Here for full details.