‘Activating Pangea: The Voyage’
Nov 5th – Dec 4th 2016
CB1 Gallery Los Angeles
Dublin based curators Matthew Nevin & Ciara Scanlan of MART have embarked on a 3 year initiative to bring leading and emerging contemporary Irish art to Los Angeles through their series ‘Activating Pangea’.
This the second exhibition in the series titled ‘Activating Pangea: The Voyage’ showcases recent work by Irish Artists Brian Duggan and Adam Gibney. It reflects on geopolitics over time and space, as we transverse language and negotiate real and imagined places in a global context. The artworks crossing in the gallery are Adam Gibney’s ‘Euclid, I miss you…’ and Brian Duggan’s ‘A Cause for concern but not alarm’.
Gibney’s work targets the quest for certainty. He states, “Man has created an abstract language in Mathematics to convey underlying governing principles of our reality, and in so doing a platonic world is created. This world can often become difficult or impossible to convey in everyday language; it is in these places that our imagination and perception are tested.” In this exhibition the points of which Gibney’s work targets reality, linguistics and technologies intermingle with the symbolic annotations of the everyday.
Duggan’s work is informed by the way in which we live now. Duggan’s work questions the aspirations and assumptions that are interlinked within the scientific and social framework of energy consumption and legacy planning. The systems in place are always evolving, attempting to catch up to an elusive plateau that is inherently unstable. Through the work presented here Duggan “plunges the viewer into a realm where seemingly casual navigation of space bespeaks chilling (hi)stories”
‘The Voyage’ allows the visitor to refocus their own experiences and memories through the interpretation and assimilation of language and analyse their own exploitative journeys through space and time. Focusing on the quest for answers of our own existence and our place within an imagined world without borders, without physical and cultural barriers, the exhibition suggests new ways of being and thinking, while investigating the conditions of concerning events and symbolics of reality.
Download the Exhibition Handout Here for full details.
Epigraphing Rathmines – Curated by Moran Been-noon
Celebrating the relationship between art, literary culture, and the life of the community in Rathmines, this experiment brings forward two cultural markers within the neighbourhood: the Rathmines Library and the MART art gallery and studios, and the public space between the two.
Poet Annemarie Ni Churreain and visual artist Steven Maybury will create a collaborative cultural situation in a day-long engagement with the Rathmines community. The artists will respond to the place and the community surrounding them while they work, to generate poetic (visual and literary) representations of the moment, the dialogue, and the location. This event will be performed in both the library and gallery spaces and is open to all community members, artists, and writers to become part of what is aimed to become a portrait of a situation. Come join our epigraphers!
Interpretative documentation of the Epigraphic work, by Abigail Denniston, will be presented during the reception at the gallery at 6.30 pm.
Order of events on Wed. 3rd of December:
12-6 pm – performing artwork & documentation
6.30-8 pm – documented outcome of the work presented in MART Gallery
Annemarie Ni Churreain
Annemarie Ní Churreáin is a poet from Donegal. Her writing often explores loss and reunion, drawing upon the sensuality of landscapes. In 2014, Annemarie was Literature Fellow at Akademie Schloss Solitude, Stuttgart/Germany and Fall Writer In Residence at Jack Kerouac House Orlando/Florida. She has recently been awarded a Hawthornden Castle Fellowship/ Scotland and residencies at The Heinrich Böll Cottage Achill and the Cill Rialaig Arts Centre Kerry. Annemarie is a co-founder of the Upstart Collective and a current member of The GoodHatchery Offaly. More Infohere .
What I do: I create work that reflects the beauty and the energy rooted in the rhythms and cycles of our surroundings, of our consciousness, and of our interrelationships with the world. My practice is primarily realised through drawing and sculptural and my influences recently have been from collecting materials and objects through personal encounters. This stumble upon approach of chance and circumstance is fundamental to my process of selection for source materials and objects to work with.
Abigail Denniston Photography: http://abigaildennistonphotography.weebly.com/
Printer and Printer programming courtesy of Tom O’Dea: http://iamtomodea.com/