The Non Zero Sum Art Games



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Curated by Matthew Nevin & Ciara Scanlan

Co-curated with Katherine Nolan (Portugal) & Aoife Giles (Dublin)

The Non Zero-Sum Art Games was part of Culture Ireland’s ‘Culture Connects International Programme’, marking Ireland’s Presidency of the Council of the European Union. Produced by MART and curated by Matthew Nevin & Ciara Scanlan.

The Non Zero Sum Art Games opened concurrently on March 7th with a live video link between three venues in three separate countries.

A Non Zero Sum Game is in game theory a situation where one decision maker’s gain (or loss) does not necessarily result in the other decision makers’ loss (or gain) – a win-win game. They generally have both competitive and cooperative elements. Players engaged have some complementary interests and some interests that are completely opposed.

‘The Non Zero-Sum Art Games’ was a program of exhibitions and performances focusing on the power that Art and people have to transform the socio/political psyche of the public in three European cities; Dublin, Lisbon & Athens all whom have recently hit by financial crisis.

Two groups of five Irish Artists travelled to both Athens & Lisbon to work under rules, financial and time restrictions imposed by the curators.

Rules include:

  • Artists are playing against each other to win a game with no results.
  • Artists may not bring any materials or equipment with the exception of 1 Mobile Phone & one Laptop
  • Artists will be given €100 to source materials / equipment in the host country.
  • Artists must work with at least one local artist / resident.
  • Artists will showcase their work on 7 March.
  • All artworks will be destroyed when show is complete.

Dublin: Co-curated by Aoife Giles.

To coincide with MART’s Lisbon & Athens Exhibitions, MART hosted 2 Portuguese and 2 Greek artists in Unit 4 Gallery.

Exhibition Featuring: George Gyzis, Orlando Franco, São Trindade, Maria Tzanakou.

Athens

Five Irish artists land in Athens and had five days to create a piece of installation or sculpture artwork working under a set of Rules and Regulations, opened as an exhibition on 7 March.

Athens – metamatic:taf Exhibition Featured: Andrew CarsonAdam GibneySamantha McGahonMatthew NevinCiara Scanlan.

Also featuring collaborations with Greek Artists : Stefanos Athanatos, Panos Profitis, Kyrgiakos Tsiftsopoulos, George Gyzis, Maria Tzanakou, Christos Papasotiriou.

Lisbon – Co-curated with Katherine Nolan

The Performance event consisted of 5 performance artists arriving in Portugal on Sunday 3 March, working in Plataforma Revolver from 4-7 March devising 5 performances, they performed at an opening event on 7 March.

Lisbon – Plataforma Revólver. Event Featured: Vanessa DawsFrancis FayEleanor LawlerKatherine Nolan, Aine Phillips.

Also featured collaborations with Lisbon Artists; Rui Mourao, Nuno Lacerda, Pedro Azevedo, Marias Teixeria, and Sara Maia.

 




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Activating Pangea: The Voyage




‘Activating Pangea: The Voyage’

Nov 5th – Dec 4th 2016

CB1 Gallery Los Angeles 

Dublin based curators Matthew Nevin & Ciara Scanlan of MART have embarked on a 3 year initiative to bring leading and emerging contemporary Irish art to Los Angeles through their series ‘Activating Pangea’.

This the second exhibition in the series titled ‘Activating Pangea: The Voyage’  showcases recent work by Irish Artists Brian Duggan and Adam Gibney. It reflects on geopolitics over time and space, as we transverse language and negotiate real and imagined places in a global context. The artworks crossing in the gallery are Adam Gibney’s ‘Euclid, I miss you…’ and Brian Duggan’s ‘A Cause for concern but not alarm’.

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Gibney’s work targets the quest for certainty. He states, “Man has created an abstract language in Mathematics to convey underlying governing principles of our reality, and in so doing a platonic world is created. This world can often become difficult or impossible to  convey  in  everyday  language;  it  is  in  these  places  that  our  imagination  and perception are tested.” In this exhibition the points of which Gibney’s work targets reality, linguistics and technologies intermingle with the symbolic annotations of the everyday.

Duggan’s work is informed by the way in which we live now. Duggan’s work questions the aspirations and assumptions that are interlinked within the scientific and social framework of energy consumption and legacy planning. The systems in place are always evolving, attempting to catch up to an elusive plateau that is inherently unstable. Through the work presented here Duggan “plunges the viewer into a realm where seemingly casual navigation of space bespeaks chilling (hi)stories”

‘The Voyage’ allows the visitor to refocus their own experiences and memories through the interpretation and assimilation of language and analyse their own exploitative journeys through space and time. Focusing on the quest for answers of our own existence and our place within an imagined world without borders, without physical and cultural barriers, the exhibition suggests new ways of being and thinking, while investigating the conditions of concerning events and symbolics of reality.

Download the Exhibition Handout Here for full details.

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