Using familiar and everyday materials Maybury focuses on our relationship with the temporary as a way to reflect upon the beauty and the energy rooted in the rhythms and cycles of our surroundings. Primarily a drawing based practice; Maybury extends his knowledge and understanding of drawing into sculptures, installations and animations.. Appropriating found and sourced materials, his work looks to defuse our obsession with archiving, security, permanency and preservation. In recent drawings he also exposes selected areas of the image to light for varying lengths of time, which in many cases is an open-ended process without a fixed timescale. This introduces a further dimension, creating additional disruptions, as well as new geometries, and enhancing the works’ impermanence.
Maybury’s practice is dedicated to intertwining cultural interests, artistic concerns and leisurely rituals as a reflection on our physical relationships in this world.
Since leaving art college in 2012, he has been awarded a number of artist bursaries, awards and residencies, and in 2013 took part in a European touring exhibition, ‘40-40-40’, which showcased new talent in Ireland’s state art collection. Solo and two-person shows include: ‘Anicca’, The Library Project, Dublin (2016 solo), Dukkha, Platform Arts, Belfast (2016 solo); ‘Jigsaws, Combs and Rulers’, Eight Gallery, Dublin (solo, 2014); ‘Groove Chronicles’, Market Studios, Dublin (solo, 2014); ‘Radical Line’, Pallas Projects, Dublin (solo, 2014); and with Claire McCluskey: ‘Synthesis I’, Eight Gallery, Dublin (2013), and ‘Synthesis II’, Tactic Gallery, Cork (2013). In 2016 he wss invited to present works with The drawing Works agency and in 2014 he also was invited to present his drawings on The Drawing Suite, a blog for contemporary European drawing. Recent group exhibitions include: The RHA Annual, Dublin (2016, 15,14,13 – invited); Glitch art fair, Rua Red (2015); ‘Re-ignite’, Customs House, Westport (2015); Tulca contemporary art fair, Galway (2014) and ‘On Beauty’, Roscommon Arts Centre (2015).
|A Rhythm Exposed (Routines: 5-6)||MART Gallery, Rathmines||May 2017|
|Activating Pangea: Destroy These Walls||Arena 1 Gallery, Santa Monica Studios, Los Angeles||July 2017|
|The Drawing Works – Edinburgh Arts Festival||Patriot Hall Gallery, Edinburgh, Scotland.||August 2017|
|Routine Series (7-8)
|Eight Gallery, Dawson Street, Dublin||September 2017|
My work and research interests revolve around Art, institutions and Social control, which could involve complex labyrinth structures and intertwining systems all interdependent on each other, I am also interested in architecture and the built environment where buildings invoke their own form of control and power, such as Jeremy Bentham’s theories of panopticons and Erving Coffman’s “total Institutions”.
As a multi disciplinary artist I work in a variety of mediums such as etching, film, painting projections, installation where the medium can be interchangeable and hybrid or where the concept of power dictates the medium in that which medium would be more aesthetic or visual.
Multi-disciplinary artist. Work methodologies include constructing and deconstructing mediums and splicing forms together often into large installations which ingulf and dominate a space. Lives and works between London and Dublin. Graduated with a distinction in M.A. Fine Art, printmaking from University of East London. Exhibited and held in collections and archives in U.K., Hong Kong, China, Taiwan, Malaysia, Japan, France, Dubai. Has had several solo shows in Ireland and the U.K. and exhibits regularly in Europe, U.S. and Canada. In 2014 selected for international juried print exhibitions in Spain, New Zealand, Bulgaria, Indonesia. Currently undertaking doctoral research in Fine Art at University of East London. Commissions include producing artworks for theatre, conferances, festivals, educational institutions, hospitals, and community spaces.