Exhibition opening 7 March 2019
Exhibition continues 8 March – 25 April 2019
MART Gallery, 190a Rathmines Road Lower, Dublin 6.
Curated by Deirdre Morrissey.
slow motion is a presentation of new works by Jane Fogarty. The works are an exploration of time, form, colour and composition.
What you see is what you get.
Within her work, Fogarty establishes limitations from which self-dictated narratives emerge. Through these boundaries, elements of chance and endurance enter into the work. Each work is specific to the moment of its creation and, even if repeated, results differ each time. These works stem from an interest in the ways we understand the passing of time and its translation into visual language. Analogous to time, a painting can be interpreted as an accumulation of moments.
The paintings evolve without a preconceived notion of their endpoint with compositions that fold inwards. Their colour palette is predetermined, taken from a colour swatch derived from photographs of the sculptures. The paintings are made using egg tempera. With this method, the paints are made from scratch on a daily basis. Then the colour is slowly built up, layer upon layer. Much like the individual twists of wet paper pulp, patiently adhered to one another in the sculptures.
The sculptures are created using a mixture of paper, crepe paper and wallpaper paste. Paper is a ubiquitous, often throw away material, while also maintaining its affiliation as a traditional artistic material. Through manipulation, this usually flat surface acquires a three-dimensional form. Soaked paper is pulverised, drained, squeezed through a mesh and layered up individually. The lumps retain the twisted action of their making, there is a human presence in their final state.
The work is slow and contemplative in its creation due to the nature of the processes involved. The process is cyclical. The paintings inform the sculptural works and the sculptural works inform the paintings. Everything is connected. This work was made with generous support from MART gallery team, Fire Station artists studios, the Fine Art department at the Dublin Institute of Technology and all the team at D-Light studios.
MART’s 2019 Gallery Programme is supported by the Arts Council.
About the Artist
Jane Fogarty is an artist living and working in Dublin, Ireland. Her work has featured in both national and international exhibitions, including a two person exhibition, Mystery Ewer, at Artbox (2016) and three solo exhibitions; Paperwork, a site-specific installation in Harold’s Cross (2016), Mel at Eight Gallery (2014), and |’painti NG | at the Talbot Gallery (2011) as a result of receiving the Most Promising Graduate Award in 2010. Selected group exhibitions include: A ̄ ̄A A ̄ ̄A A ̄ ̄A at 126 Galway (2015); Spirit of the Stairs at Basic Space (2014); Unearth at Roscommon Arts Centre (2013); Nailing Jelly to the Wall at Catalyst Arts (2012) and ELIA’s NEU/NOW Live in Nantes, France (2010). Her work was recently added to the State Art Collection (OPW). Fogarty has also received several awards from the Arts Council, the RDS and South Dublin County Council.
GLITCH FESTIVAL DUBLIN 2017
SEDIMENTARY STRUCTURES – TRACES OF THE LIVE EVENT
2 MAY – 10 JUNE
RUA RED Gallery, Tallaght
Curated by Matthew Nevin & Ciara Scanlan of MART.
Assistant curator: Deirdre Morrissey
Feat. David Beattie, Livestock, Cliona Harmey, Robin Price, David Lunney, Richard Forrest, Cathy Coughlan and Cécile Babiole.
ABOUT GLITCH FESTIVAL
Glitch Festival is celebrating its 6th year and has grown into Ireland’s foremost digital arts festival. We work to bring the best of digital arts practices to the fore. Glitch Festival brings leading media and technology artists, curators and artist groups together with audiences to draw out connections between art, culture and technology with the aim of fostering greater critical understanding and debate around artist’s interaction, investigation and intersection with technologies.