MART presents ‘Destroy These Walls’.
A year long series of exhibitions curated by Ciara Scanlan, Matthew Nevin and Deirdre Morrissey,
in The MART Gallery, Dublin, RUA RED, Dublin and Arena 1 Gallery, Los Angeles
with support from Arts Council Ireland and Culture Ireland.
|12th Jan – 24th Feb||SCHOOL DAYS||Tomoko Sawada||Solo Exhibition of leading Japanese Artist, featuring the video work ‘MASKS’ and photography series School Days & OMIAI♡.|
|2nd – 31st March||The Mistress of the Mantle||Katherine Nolan||Solo Exhibition of Video & Performance Artist.|
|6th April – 4th May||Transmission||Exhibition with a focus on light and perception.|
|11th May – 8th June||A Rhythm Exposed (Routines 5-6)||Steven Maybury||Exhibition on the mechanics behind sculpture and conceptual drawing.|
|15th June – 13th July||Dragons of Eden||Exhibition showcasing live performance art and installation|
|20th July – 18th August||Trouvées Métrage||Exhibition of French Digital Artists supported by The Cultural Service of the Embassy of France in Ireland|
|24th Aug – 22nd Sept||Freedom of Movement||Nina Fischer & Maroan el Sani||Exhibition of German Artists supported by Goethe-Institut Irland|
|28th Sept – 27th October||The Fire Station Artist’s Studios Residency Award Exhibition||Doireann Ní Ghrioghair||Exhibition in connection with The Fire Station Artist’s Studios Residency Award 2016.|
|2nd Nov – 1st Dec||Can You Hear Me Now?||
|Exhibition of Recent Graduates of Crawford College of Art and Design, Cork.|
|RUA RED||/Glitch Festival 2017||
|/Glitch Festival is Ireland’s leading Digital Arts Festival that brings together artists utilising media and technology.|
Curated by Matthew Nevin, ‘Echo Chamber’ aims to create an accessible dialogue between the digital arts and its interpretation of politics, culture and society, as part of Creative Europe’s EUCIDA project led by RUA RED in partnership Gantner Multimedia Space France and Lūznava Manor Rēzeknes Latvia. Three simultaneous exhibitions will feature six contemporary visual artists two from each of the host countries.
8th July – 5th August
|Activating Pangea: Destroy These Walls||
James L Hayes
|MART curators Matthew Nevin & Ciara Scanlan have curated a selection of artists to work under the parameters of risk and political agitation.|
Supported by The Arts Council of Ireland, Dublin City Council & Culture Ireland.
‘Destroy these Walls’ 2017:
“One reason for making and exhibiting a work is to induce a reaction or change in the viewer…. In this sense, the work as such is nonexistent except when it functions as a medium of change between the artist and viewer.” – Adrian Piper
“Experimental art today is increasingly concerned with the complex relationships involved in seeing, defining, framing and responding to pressing events.” – Jill Bennett, Institute Director of UNSW National Institute for Experimental Arts
For 2017 MART embarks on an ambitious new program curating selected artists to work under the parameters of risk and political agitation. By encouraging participating artists to explore and reinvent material, technologies and methodologies, the curators shall work alongside the artists to produce work that can provoke the limitations of the gallery environment, producing powerful, informative and experimental new work.
We will encourage our artists to be reactionary and politically engaged in their approach to their practice and tease out new radical ways of viewing and perceiving their art works. “There is something real in the illusion, more real than in the reality behind it” – Slavoj Žižek. This illusion acts as the power of the artist to present a world through an altered focus, to show the viewer aspects of the world that are warped and exposed. The artist – often working as the mirror for society – creates new dialogues that challenge conventional views on politics and culture, pushing for examination on our preconceived expectations of what contemporary art is and what relevance it has for the society we live in.
Echo Chamber – EUCIDA 2017 Exhibition
Lūznava Manor Rēzeknes | Latvia: 9th June – 31st August 2017
RUA RED | Ireland: 16th June – 5th August 2017
Gantner Multimedia Space | France: 24th June – 22nd July 2017
European Connections in Digital Arts / EUCIDA is a 3 year project funded by Creative Europe led by RUA RED Ireland in partnership Gantner Multimedia Space, France and Lūznava Manor Rēzeknes, Latvia. The Project aspires to work collaboratively while demonstrating innovation and high standards contributing to making the Digital Arts sector highly visible internationally.
“an echo chamber is a metaphorical description of a situation in which information, ideas, or beliefs are amplified or reinforced by transmission and repetition inside an “enclosed” system, where different or competing views are censored, disallowed, or otherwise underrepresented.”[link]
As a curatorial platform for creation of new work, Echo Chamber has encouraged the dialogue of art and technology as a means of sharing experience and creative practice. Exhibiting simultaneously across Ireland, Latvia and France it showcases six contemporary visual artists, two from each of the host countries, whose practice is rooted in various aspects of digital technology.
Its primary aim to create an accessible conversation and debate between the digital arts, technology, politics, culture and society in an accessible way to a European wide public. The three parallel exhibitions, which mirror each other, will analyse how culture, politics and socio-economical issues are bounced around, applauded, and never truly open within one’s own Echo Chamber; i.e colleagues, friends, families etc.
The exhibitions provide a platform for the artists to push conversation beyond the normal realms of an art audience or local groups, to a further international and trans European audience. By encouraging participating artists to explore and reinvent material, technologies and methodologies, Matthew Nevin, the curator, has worked alongside the artists to re/produce work that can provoke the limitations of the ‘Echo Chamber of the normal gallery environment, into producing powerful, informative and experimental new work to a wider audience.
These artists, often working as the mirror for society, will create new dialogues that challenge conventional views on politics and culture; pushing for examination of our preconceived expectations of what is contemporary art and its relevance to the society we live in. The curator has encouraged the artists to be reactionary and politically engaged in their approach to their practice and tease out new radical ways of viewing and perceiving their art works through technology.
Helen Mac Mahon, who creates artwork through experimentation and investigation into the phenomena of light, movement, perception and space, has produced ‘Mirror Affect’ an interactive piece playing with the mirrored image using a combination of everyday objects and live digital technology.
Jeanne Briand forges links with new technology and craftsmanship to create beautiful sculptural pieces that reference fantasy and trans-aesthetics. Briand’s ‘Gamete Glass’ propose a new form of life, and the origin of the sounds they emit serves to raise questions in the viewer’s mind about the artifice or real existence of the animated forms.
Fabien Leaustic creates sculptural work which while physical has an ephemeral aesthetic. Leaustic’s work ‘Hello World’ activated by the presence of the visitor disturbs our interpretation of our world, evoking an emotional response juggling a naive optimism and a dark poetic duality that defines us.
Rasa Smite is an artist, network researcher and cultural innovator, working with science and emerging media technologies. Smite’s artwork ‘Talk to Me’ is a human-plant communication interface, through which people were asked to send encouraging messages via text & social media to the growing plants, “equipped” with web-cam, wi-fi and loudspeakers.
Adam Gibney’s artwork is generally realised through sculpture, installation, sound and video. ‘Conundrum 8: I am somewhere between we and they’ questions the political and personal use of pronouns. Playing a key role in the construction of the ‘self’ and the ‘other’, pronouns help toward the creation and division of societies.
Paula Vitola works through media art & archeology, researching relationships between human and technology. Her work encompasses experimenting with technology and nature, programming and gadget-hacking.