Livestock has teamed up with MART to present a year long residency in 2018.
Livestock was established in 2010 at The Market Studios in Dublin by Joan Healy, Louise Ward and Francis Fay. Livestock continues today with Francis Fay & Eleanor Lawler as co-curators.
Livestock is an artist-led initiative set up to support, encourage and promote performance, the artists and their work. The bi-monthly event is an opportunity for performers to show new or evolving work.
Central to their ethos is the creation of a positive and welcoming environment where artists can perform their live work to an appreciative audience. We believe performance facilitates a relationship between artist and audience, creating an intimacy and a space for dialogue between both parties.
Livestock has been part of Dublin Live Art Festival since 2012, exposing Irish performance artists’ work to International artists taking part in the Festival.
Previous Livestock Events in MART
Friday 30 November: ‘Bare’ – Curated by Tara Carroll.
Friday 22 June – Sunday 24 June 2018: Body & Borders Weekend Event.
Saturday 12 May- Sunday 13 May 2018: Performance Workshop with Áine Phillips and Rae Goodwin.
Saturday 24 March 2018: Showcase of new work.
‘Activating Pangea: The Voyage’
Nov 5th – Dec 4th 2016
CB1 Gallery Los Angeles
Dublin based curators Matthew Nevin & Ciara Scanlan of MART have embarked on a 3 year initiative to bring leading and emerging contemporary Irish art to Los Angeles through their series ‘Activating Pangea’.
This the second exhibition in the series titled ‘Activating Pangea: The Voyage’ showcases recent work by Irish Artists Brian Duggan and Adam Gibney. It reflects on geopolitics over time and space, as we transverse language and negotiate real and imagined places in a global context. The artworks crossing in the gallery are Adam Gibney’s ‘Euclid, I miss you…’ and Brian Duggan’s ‘A Cause for concern but not alarm’.
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Gibney’s work targets the quest for certainty. He states, “Man has created an abstract language in Mathematics to convey underlying governing principles of our reality, and in so doing a platonic world is created. This world can often become difficult or impossible to convey in everyday language; it is in these places that our imagination and perception are tested.” In this exhibition the points of which Gibney’s work targets reality, linguistics and technologies intermingle with the symbolic annotations of the everyday.
Duggan’s work is informed by the way in which we live now. Duggan’s work questions the aspirations and assumptions that are interlinked within the scientific and social framework of energy consumption and legacy planning. The systems in place are always evolving, attempting to catch up to an elusive plateau that is inherently unstable. Through the work presented here Duggan “plunges the viewer into a realm where seemingly casual navigation of space bespeaks chilling (hi)stories”
‘The Voyage’ allows the visitor to refocus their own experiences and memories through the interpretation and assimilation of language and analyse their own exploitative journeys through space and time. Focusing on the quest for answers of our own existence and our place within an imagined world without borders, without physical and cultural barriers, the exhibition suggests new ways of being and thinking, while investigating the conditions of concerning events and symbolics of reality.
Download the Exhibition Handout Here for full details.