Livestock has teamed up with MART to present a year long residency in 2018.
Livestock was established in 2010 at The Market Studios in Dublin by Joan Healy, Louise Ward and Francis Fay. Livestock continues today with Francis Fay & Eleanor Lawler as co-curators.
Livestock is an artist-led initiative set up to support, encourage and promote performance, the artists and their work. The bi-monthly event is an opportunity for performers to show new or evolving work.
Central to their ethos is the creation of a positive and welcoming environment where artists can perform their live work to an appreciative audience. We believe performance facilitates a relationship between artist and audience, creating an intimacy and a space for dialogue between both parties.
Livestock has been part of Dublin Live Art Festival since 2012, exposing Irish performance artists’ work to International artists taking part in the Festival.
Previous Livestock Events in MART
Friday 30 November: ‘Bare’ – Curated by Tara Carroll.
Friday 22 June – Sunday 24 June 2018: Body & Borders Weekend Event.
Saturday 12 May- Sunday 13 May 2018: Performance Workshop with Áine Phillips and Rae Goodwin.
Saturday 24 March 2018: Showcase of new work.
MART curators Matthew Nevin & Ciara Scanlan are delighted to present the exhibition A Rhythm Exposed (Routines: 5-6) by Steven Maybury, kindly supported by The Arts Council of Ireland.
Preview: Thursday 11 May 2017 @ 6pm
Location: The MART Gallery, 190A Rathmines Rd, Lwr, Dublin 6.
Runs to: 8 June 2017
Open: Tues-Sat: 1-6pm
A Rhythm Exposed (Routines: 5–6) represents the artist’s travel and conversations, combined with a curiosity into Buddhist doctrine concerning the three marks of existence. Focusing on the characteristics of Anicca, Dukkha and Anatta – Paliwords for impermanence, anxiety or suffering and non-self. They are used here as a reference to questions of interest, concern and ritual. The three characteristics are common to all forms of existence.
This exhibition is part of the artist’s ongoing Routines series. In this series, which began in 2016, drawing is used as a key conceptual tool for the artist to examine obsessions in archiving, ownership and preservation and invites contemplation of the meticulous use of ink, light, and time on the aesthetic of the artworks. It is a continuous process of assembling and making, informed by reactions to the artist’s personal encounters.