Lectus



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MART are delighted to present Lectus, a visual arts exhibition featuring Èanna Heavey, Emma McKeagney and Sarah Diviney and curated by Deirdre Morrissey opening 10th January at 6pm in The MART Gallery Rathmines.

Preview: 10th January @ 6pm
Location: The MART Gallery, 190A Rathmines Road Lower, Dublin 6
Runs to: 10th Jan – 14th February
Open: Open Tues – Sat: 1pm – 6pm

Facebook Event: Link to Facebook Event Opening

Exhibition Poster: Download High Res Poster Here.

The MART Gallery are delighted to announce the winners of our annual MART Exhibition Award: Èanna Heavey and Sarah Diviney from the 2018 CIT Crawford College of Art & Design Fine Art Graduate exhibition and Emma McKeagney from Fire Station Artists’ Studios 2018 Sculpture Bursary Award. The aim of this award is to provide a showcase and supported exhibition opportunity to emerging artists whose work is both engaging and experimental.

The artwork presented is a selection of sculptural forms, video work and live performance. Emma McKeagney’s beautiful sculptural objects are presented alongside new video work that further explores the materiality of natural and designed forms. Sarah Diviney’s moving performative work reflects Ireland’s state institutional treatment of women, many of whose fate was sealed due to the woeful lack of sexual education in Irish society as referenced in Èanna Heavey’s powerful and unsettling video piece ‘I’m sorry I was not here..’.

The exhibition is kindly supported by CIT Crawford College of Art & Design, Cork and Fire Station Artists’ Studios (FSAS), Dublin, the Arts Council Ireland, The MART Gallery & Studios, and Dublin City Council.

About the Artists

Emma McKeagney is a Visual Artist based in Dublin. After graduating in 2017 from Dun Laoghaire IADT she completed a year-long residency at Talbot Studios after winning their Most Promising Graduate Award 2017. During this residency she fabricated work supported by the Sculpture Bursary Award at Fire Station Artists’ Studios.

McKeagney’s practice involves working closely with material processes to create bodies of work which incorporate the idea that a process is made up of not only the artist but the material they use and the impending idea of exhibiting. Reading and discussing various topics related to New Materialism, her interest starts with collapsing any hierarchy which puts humans ahead of all other materiality.

McKeagney had her first solo-show in June entitled Unstable Categories as part of Pallas Projects and Studios’ Artist Initiated Programme. Work selected from her solo-show is presented in this exhibition and developed further through new video works is a second phase of the project.

This work aims to blur the lines between the designed and natural worlds and question the emphasis we have on dividing these categories. What is human, is a malleable category which bends and stretches depending on the objects and minerals we are oriented between.

www.emmamckeagney.com

Èanna Heavey graduated from CIT Crawford College of Art & Design with a BA in Fine Art in June 2018. “I’m Sorry I was Not Here…” explores the distorted development of self through false education, institutional structures and the ideologies of Western culture.

Interwoven into this narrative is the idea of sexuality as a core element of the human experience. The work touches on the issue of insufficient sex education within Ireland. There are some uncomfortable undertones; suggesting at what has been unsaid, unseen or unheard.The unravelling of self is an important element of the work. There is a sense of fragility; a fragile strength longing for the return to innocence, searching for freedom.

Sarah Diviney graduated from CIT Crawford College of Art & Design with a BA(hons) in Fine Art. The work in this exhibition ‘I, X’ comprises of an installation consisting of a performance piece and a video work. It investigates the authority of the Church and State within the private realm, documenting the intimacy of the domestic sphere and the position of Irish women in society.

The work explored the dangerous axis of the female body as object, amplifying this through the chosen mediums of performance and video, with the performance space acting as a developing installation. Simultaneously, the work occupies the body as a moving sculpture due to the spectator relationship  between the audience and the work. The perturbed body licenses the unsettles tempo of the performance which transitions from meditative stillness to frantic action, disturbing the perceived tranquillity within the space and in turn, abruptly presenting the dystopia.

The work is an accumulation of influences by Sarah’s extensive research into the history of Irish women which generated the need for a confrontation medium to be used. The performance projects the concept into the present echoing the histories of Irish women.

www.sarahdivineyartist.wordpress.com

*Lectus – Latin word meaning selected, chosen, choice, good, exquisite

 




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Crumlin Gallery & Studios




65 Crumlin Road, Drimnagh, Dublin 12


The 11 studios of the MART's Crumlin Gallery & Studios are based in Lower Crumlin road, nearby to the scenic Grand Canal. Featuring large spacious rooms with tall windows and high ceilings, these bright, airy spaces make an ideal working environment. 

Location

Across the canal is Dolphin’s barn, and this studio is also close to a number of residential areas: Rialto, Crumlin, Kimmage and Harold’s Cross. Only a short bus or Luas ride from the city centre. This building is home to a range of visual artists and creative professionals and is an ideal space for working in a calm, peaceful atmosphere.

Transport

The Crumlin studios are situated on bus routes 17, 27, 56a, 77a, 151. Ten minutes walk from Suir Road Luas Stop.

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 Our Studio Members

The Dublin Inqurier |  Cormac Dillon | Horhay Ruiz | Merce Canadell | Vijaya Bateson | Alice Brady | Caroline Power | Joe Lynch | Paola Invernizzi | Niamh Hannaford | Aoife Caffrey | Collette Flores | Vanessa Power | Annie Gahan | Leonie Connellan | Hugh Travers

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Leonie Connellan

Leonie Connellan is a print-based artist originally from Melbourne, Australia, now living in Dublin. Her work explores the relationship between science and storytelling, with the ultimate goal of creating a sense of scientific understanding, wonder and curiosity about the structure of the universe and our place in it. crumpart.net


Collette Flores

I am based in Dublin and create Bespoke lampshades from vintage, antique and newly designed digitally printed fabrics. xochique.com


Niamh Hannaford

Niamh was born in 1987. She was 3.16 kg, 54 cm. She had a small tuft of curls on top of her head, which her mother dressed in a bow. In 2017 she weighs 70 kg and is 174 cm. Her hair is shoulder length and she still wears a bow. She uses her work to explore her inner fears with a playful curiosity. Still, she is constantly terrified. niamhhannaford.com


Joe Lynch

I'm Joe, Dublin based illustrator/painter. I graduated from animation (2011) and illustration (2014) in BCFE. Previously I worked as a graphic designer, fashion design intern and a tattoo apprentice so my work takes extensive influence from these past ventures. I've taken part in two collaborative exhibitions to date which were held in Ballyfermot library and Farmleigh, the goal of this new venture is to exhibit more and have fun doing it. Instagram.


Alice Brady

Alice is a passionate embroiderer whose love of place and detail is central to her work. She uses her extensive knowledge of embroidery and textile techniques to create contemporary wall art. Alice is interested in the environments around us – more specifically, the aspects that get overlooked or taken for granted. Her embroideries capture these details in order to create pieces which accurately convey the atmosphere of a particular place. Currently she is working on a series of pieces inspired by Dublin, the place she knows better than any other. The county of Dublin is a perfect example of how the landscape transforms from rural to urban, and it is this dialogue which is celebrated in Alice’s work. Through a process of drawing, photographing and editing, Alice selects the colours, textures and motifs that define a place. Each location that Alice works from inspires the techniques and materials she uses. An array of traditional hand embroidery techniques are presented in a contemporary context. Alice graduated from the Royal School of Needlework in 2017 with a BA in Hand Embroidery. She has worked on a number of high profile projects such as the Nicholas Oakwell for GREAT Britain Campaign and the HBO Game of Thrones Hardhome Embroidery. In 2016, her work was displayed in the Craft Study Centre in Farnham as part of a work in progress show running alongside the ‘Make It OK?’ exhibition. bealicetextiles.wixsite.com/be-alice