Mare Liberum (Freedom of the Sea)
(Film, 3 minutes looped)
Preview December 6th @ 5pm – 7pm
Open: Thurs – Sun : 12pm -7pm
Runs: 6th Dec – 23rd Dec 2018
MART Gallery 2, 190A Rathmines Rd Lwr, Dublin 6
Mare Liberum (Freedom of the Sea*) is a projected film showing an assistant referee (aka Linesman) signalling towards the horizon whilst standing on top of a grass covered raft which floats somewhere in the Sea.
Drifting aimlessly, Undaunted by his maritime position, He stands upright, absurdly patrolling the line on his tiny section of football pitch in a bizarre sense of duty.
The title ‘Mare Liberum’ translates as Freedom of the Sea, and was a treaty formulated by Hugo Grotius in 1609. It established the sea as international territory for all the nations to use freely for seafaring trade. The film is beguiling as it is absurd and has a soundtrack that is calming and strangely rhythmic.
This film was made during Minsky’s Berwick Gymnasium Fellowship and was first shown in 2009 as part of his Solo show, Interfering with Play, Berwick Gymnasium Art Gallery. He began his residency with a file of information about the local football team, Berwick Rangers who famously play their domestic football in Scotland and his research unearthed twenty- eight other professional teams around the world who play their domestic football across another border.
After reading through, FIFA, UEFA, English, Scottish and Welsh Football Associations rulebooks, and examining the laws of the game he concluded that what was needed was a gesture to these nomadic teams. Somewhere to call home. A rallying call to all twenty-nine teams. Mare Liberum is the resulting work.
This is the first time this film has been shown in Ireland. Jason Minsky would like to thank Deirdre Morrissey and the team at MART for their help in making this happen.
A Limited Edition Signed Print ‘Mare Liberum’ is also available. Please contact the artist for details.
About the artist
Born London,1968, Jason Minsky now lives and works in Dublin. He has a multi-disciplinary approach. Combining video, photography, multiples, installation and performance. The context of the work is often central to its interpretation and during the last few years he has made a range of work exploring the conventions and rituals within and around sporting environments.
Much of Minsky’s work shares a feeling of surreal pondering brought to life. Activity and energy is captured and presented, both as performance to camera and harnessed in the objects he constructs or chooses to work with. A strong interventionist strand runs through all his work along with a mischievous sense of humour
He studied 3-D Design at Manchester Polytechnic, BA Hons (1989-1992) and completed a Masters at the Royal College of Art (1997-1999). Minsky has lectured at many colleges and universities within the UK, on a diverse range of courses, including architecture, furniture design and fine art.
He was the Inaugural winner of the Crosby Homes Manchester Art Prize (2003), creating a live performance and exhibition; Get in…get out, Manchester Art Gallery (2004). A catalogue was produced on the occasion of this show, which included an essay by Henry Meyric Hughes. ‘Get in…get out’, Jason Minsky, Manchester Art Gallery, Cornerhouse Publications (2004).
Most recently he has shown an edition of ‘Mare Liberum’ (Freedom of the Sea) prints (1/10) as part of Halftone Print Fair at PhotoIreland, Dublin November,2018. Purchased by the Office of Public Works for the State Art Collection, Ireland.
‘Advantage’ Solo show, Site Gallery, Sheffield, 2012. Artist in residence on Extraordinary Moves project, Centre for Sport and Exercise Science, Sheffield, an Official Cultural Olympiad Project 2012. During 2007-2008, He spent 12 months working as Artist in Residence for the Leeds Rugby Foundation. The result was ‘Match Report’ a solo show for PSL (Project Space Leeds, 2008). During this year he also exhibited internationally with Arte Grupo Forja, Valencia (2008).
‘Unrealised Potential’ Cornerhouse, Manchester, 2010, ‘This is England’ Beacon House University, Pakistan 2010, ‘Plus100’, Volume Projects, London (2009), alongside Damian Hirst, Tracey Emin and Mustafa Hulusi. ‘Artheke’ Va Va Room, Hong Kong (2009). ‘Kiss of a Lifetime’, Bearspace, London (2009) and ‘Interfering with Play’, Berwick Gymnasium Art Gallery, Berwick upon Tweed (2009). Minsky’s work has been reviewed in The Independent on Sunday, The Guardian, Time Out (London), and Art News (USA), Arena Magazine, Flux Magazine, Apollo Magazine, Artists Newsletter and many other publications. Catalogues available include, ‘Arcadia in the City’ English Heritage (p.74, 79, and back cover) (2002). ‘New Routes New Destinations’ Rosenthal and The Royal College of Art, (2000).
‘Activating Pangea: The Voyage’
Nov 5th – Dec 4th 2016
CB1 Gallery Los Angeles
Dublin based curators Matthew Nevin & Ciara Scanlan of MART have embarked on a 3 year initiative to bring leading and emerging contemporary Irish art to Los Angeles through their series ‘Activating Pangea’.
This the second exhibition in the series titled ‘Activating Pangea: The Voyage’ showcases recent work by Irish Artists Brian Duggan and Adam Gibney. It reflects on geopolitics over time and space, as we transverse language and negotiate real and imagined places in a global context. The artworks crossing in the gallery are Adam Gibney’s ‘Euclid, I miss you…’ and Brian Duggan’s ‘A Cause for concern but not alarm’.
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Gibney’s work targets the quest for certainty. He states, “Man has created an abstract language in Mathematics to convey underlying governing principles of our reality, and in so doing a platonic world is created. This world can often become difficult or impossible to convey in everyday language; it is in these places that our imagination and perception are tested.” In this exhibition the points of which Gibney’s work targets reality, linguistics and technologies intermingle with the symbolic annotations of the everyday.
Duggan’s work is informed by the way in which we live now. Duggan’s work questions the aspirations and assumptions that are interlinked within the scientific and social framework of energy consumption and legacy planning. The systems in place are always evolving, attempting to catch up to an elusive plateau that is inherently unstable. Through the work presented here Duggan “plunges the viewer into a realm where seemingly casual navigation of space bespeaks chilling (hi)stories”
‘The Voyage’ allows the visitor to refocus their own experiences and memories through the interpretation and assimilation of language and analyse their own exploitative journeys through space and time. Focusing on the quest for answers of our own existence and our place within an imagined world without borders, without physical and cultural barriers, the exhibition suggests new ways of being and thinking, while investigating the conditions of concerning events and symbolics of reality.
Download the Exhibition Handout Here for full details.