Jane Fogarty



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Visit: janefogarty.com

View: Artist CV | Artist Statement | Artist Portfolio

Jane Fogarty is visual artist based in Dublin, Ireland. In 2010 Jane graduated with a BA in Fine Art from the Dublin Institute of Technology. She has been included in many national and international exhibitions including three solo exhibitions. Jane has been awarded the ‘Individual Artists Bursary’ from South Dublin County Council 2016, the ‘Most Promising Graduate Award’ from the Talbot Gallery 2010, the RDS ‘Lewis Crosby Award for Painting’ 2010, ‘The Project Award’ 2012 and the Travel and Training Award 2015 from the Arts Council, Ireland. Her work is part of the state art collection of the OPW and private collections.

In addition to her artistic practice she has been involved in numerous educational projects since 2007. These have included the Rua Red young curators project, with the OPW, Art Trolley in Rua Red, Artist in school with ‘Art school’, a project by curator Jennie Guy and artist in the community with Clondalkin youth service.

 




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Steven Maybury | A Rhythm Exposed (Routines: 5-6)




MART curators Matthew Nevin & Ciara Scanlan are delighted to present the exhibition A Rhythm Exposed (Routines: 5-6) by Steven Maybury, kindly supported by The Arts Council of Ireland.

Preview: Thursday 11 May 2017 @ 6pm

Location: The MART Gallery, 190A Rathmines Rd, Lwr, Dublin 6.

Runs to: 8 June 2017

Open: Tues-Sat: 1-6pm 

 

A Rhythm Exposed (Routines: 5–6) represents the artist’s travel and conversations, combined with a curiosity into Buddhist doctrine concerning the three marks of existence. Focusing on the characteristics of Anicca, Dukkha and Anatta – Paliwords for impermanence, anxiety or suffering and non-self. They are used here as a reference to questions of ­­interest, concern and ritual. The three characteristics are common to all forms of existence.


This exhibition is part of the artist’s ongoing Routines series. In this series, which began in 2016, drawing is used as a key conceptual tool for the artist to examine obsessions in archiving, ownership and preservation and invites contemplation of the meticulous use of ink, light, and time on the aesthetic of the artworks. It is a continuous process of assembling and making, informed by reactions to the artist’s personal encounters.

 

Steven Maybury A Rhythm Exposed



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