Invite or Reject



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Invite or Reject

June, July & August 2011

New York, Chicago and Los Angeles 

‘Invite Or Reject’ supported byImagine Ireland; an initiative by Culture Ireland.

‘Invite or Reject’ was an ambitious new exhibition curated by MART’s Ciara Scanlan and Matthew Nevin. MART www.mart.ie, is a non profit art organisation based in Ireland and our primary aim is to educate and promote Art to the public; Art in the sphere of New Media, Installation and Performance.

The exhibition consisted of 5 leading Irish Artists work shown in world renown contemporary art galleries in the heart of 3 of most influential cities in the US: New York, Chicago and LA. We have asked artists to submit work that is challenging yet irresistibly welcoming for American audiences to interact and communicate with the art works. This exhibition shall showcase some of Ireland’s leading and emerging visual artists and highlight the strength of our work in the international contemporary art scene.

MART’S ‘Invite or Reject’ refers to the duality of understanding and miscommunication that existed when Irish people first immigrated to America. It is a preconceived notion that Irish people are welcoming and hospitable. It was common for the Irish to be rejected and treated as second-class citizens for the early part of 19th centaury. The current political and social climate in America means it is difficult to gain an entry visa to work there which leaves it now as more of a holiday destination to Irish in stark contrast to history. Through the Art we will showcase we hope to breakdown stereotypes, interact and engage the audience. Many of the artworks are physically interactive and can be added to by the public. The Art works ‘Home’ will be in the gallery, but we want to move outside the gallery space, have a presence on the streets, within the public domain and have satellite branches of work that enter the city.

Artists: Ella Burke, James L Hayes, Sofie Loscher, Matthew Nevin, Nicky Teegan, Ciara Scanlan, Benjamin Gaulon, Joan Healy, Colleen Keough, Margaret O’Brien, Stephen Woods, Adrian Duncan, Benjamin Gaulon, Adam Gibney, and Tony Kenny

MART is proud to announce that this project is part sponsored by Culture Ireland’s strategic focus on promoting Irish Arts in the US in 2011.

Supported by :

 

 




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Dragons of Eden | Aoibheann Greenan & Terence Erraught




MART curators Matthew Nevin & Ciara Scanlan are delighted to present Dragons of Eden, an exhibition featuring Aoibheann Greenan and Terence Erraught, with thanks to Arts Council Ireland and Dublin City Council.

Preview: Thursday 15 June 2017 @ 6pm

Location: The MART Gallery, 190A Rathmines Rd, Lwr, Dublin 6.

Runs to: 13 July 2017

Open: Tues-Sat: 1-6pm 

Facebook Photo Gallery 

 

‘Dragons of Eden’ featuring work by Aoibheann Greenan {Gallery 1} and Terence Erraught {Gallery2} addresses mythological and real world societal challenges. The curators invited the artists to produce work that can provoke the limitations of the gallery environment, producing informative and experimental new work that can tease out radical ways of viewing and perceiving our culture and society. Greenan and Erraught have responded here with powerful creations that take on alternative perspectives on gender representation via symbols and icons of ancient cultures experienced through a schema of digital means.

Aoibheann Greenan presents The Eighth Seal, an installation and audio piece prompted by the Repeal the 8th movement and the ongoing struggle of Irish Women over the right to bodily autonomy. A radio interview reimagines the origins of Sheela na Gigs, ancient carvings scattered throughout Ireland depicting figures with exposed vulvas. Eschewing the tendency to interpret the Sheela through patriarchal narratives, the work proposes the symbol as both a harbinger of emancipation and metaphor for resistance. Esoteric and posthumanist motifs permeate the work, echoing the historical link between radical speculative fiction and movements for social change. The installation conjures a site for gathering, a space for consciousness raising, for invoking, for conspiring.

Terry Erraught’s work explores the masculine agenda of the contemporary artwork by addressing audiences increasingly desensitization of socio-political heinous events. In an era of instant digital media distribution, brutal violence appears to have become part of our daily routine, with audiences becoming increasingly indifferent. By engaging with mainstream media but using a primitive, ritualistic approach, Erraught attempts to connect with world events as they occur and enter our psyche. ‘Composition’ is a durational digital video painting, rather than an episodic performance, which contains references to multiple catastrophic events in recent times. Through a recognisable mythological and art historical aesthetic, the artist draws on his own personal experiences by physically manifesting into each of the constituent characters and situations in the video work. This can also be seen in Erraught’s second piece Saturn (The world revolves around me) which is a smaller installation or 3D painting recorded from a live performance. It is heavily influenced by Goya’s black paintings which portray Goya’s embittered attitude toward mankind, and struggles with panic, fear and hysteria specifically ‘Saturn Devouring his Son 1820-23’.

Dragons of Eden MART Gallery