Invite or Reject



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Invite or Reject

June, July & August 2011

New York, Chicago and Los Angeles 

‘Invite Or Reject’ supported byImagine Ireland; an initiative by Culture Ireland.

‘Invite or Reject’ was an ambitious new exhibition curated by MART’s Ciara Scanlan and Matthew Nevin. MART www.mart.ie, is a non profit art organisation based in Ireland and our primary aim is to educate and promote Art to the public; Art in the sphere of New Media, Installation and Performance.

The exhibition consisted of 5 leading Irish Artists work shown in world renown contemporary art galleries in the heart of 3 of most influential cities in the US: New York, Chicago and LA. We have asked artists to submit work that is challenging yet irresistibly welcoming for American audiences to interact and communicate with the art works. This exhibition shall showcase some of Ireland’s leading and emerging visual artists and highlight the strength of our work in the international contemporary art scene.

MART’S ‘Invite or Reject’ refers to the duality of understanding and miscommunication that existed when Irish people first immigrated to America. It is a preconceived notion that Irish people are welcoming and hospitable. It was common for the Irish to be rejected and treated as second-class citizens for the early part of 19th centaury. The current political and social climate in America means it is difficult to gain an entry visa to work there which leaves it now as more of a holiday destination to Irish in stark contrast to history. Through the Art we will showcase we hope to breakdown stereotypes, interact and engage the audience. Many of the artworks are physically interactive and can be added to by the public. The Art works ‘Home’ will be in the gallery, but we want to move outside the gallery space, have a presence on the streets, within the public domain and have satellite branches of work that enter the city.

Artists: Ella Burke, James L Hayes, Sofie Loscher, Matthew Nevin, Nicky Teegan, Ciara Scanlan, Benjamin Gaulon, Joan Healy, Colleen Keough, Margaret O’Brien, Stephen Woods, Adrian Duncan, Benjamin Gaulon, Adam Gibney, and Tony Kenny

MART is proud to announce that this project is part sponsored by Culture Ireland’s strategic focus on promoting Irish Arts in the US in 2011.

Supported by :

 

 




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Freedom of Movement




Freedom of Movement

Nina Fischer & Maroan el Sani

Curated by Deirdre Morrissey supported by Directors Matthew Nevin & Ciara Scanlan.

The exhibition is kindly supported by The Arts Council of Ireland, an IMMA Production Residency, Goethe Institut Dublin and the Institut für Auslandsbeziehungen.

Opening reception: Thurs 24 August 6pm – 8pm

Exhibition continues: 25 Aug – 22 Sept 2017

Gallery Open: Tues – Sat, 1pm -6pm

Closing event: Late Opening for Culture Night, Friday 22 September 2017 – 5-9pm

 

The MART Gallery’s curatorial vision for 2017 is to select artists who work under the parameters of risk and political agitation, creating powerful, informative and experimental work. We are delighted to present ‘Freedom of Movement’ an exhibition of film work by renowned German artists Nina Fischer & Maroan el Sani.

MART first introduced the work of Fischer & el Sani to Ireland in 2014 when the artists presented film works ‘Narita Field Trip’ and ‘Spelling Dystopia’ in an exhibition curated by Barry Kehoe.  Both pieces were created when the artists were Associate Professors at the School of Art and Design in Sapporo City University in Japan and explored tensions that arise between the forces of globalisation and specific local narratives.

Always keen to build upon established relationships with international artists, MART has invited Fischer and El Sani back to Dublin for the presentation of two recent film installations ‘Identity’s Rule of Three’ (2015) and ‘Freedom of Movement’ (2017) These films pose questions on various aspects of human identity and society, the limits of geographical, artistic and social structure, and race relations.

Nina Fischer & Maroan el Sani are visual artists and directors who have worked collaboratively since the 1990s and both live and work in Berlin. Through their work they have explored narratives in various sites around the world juxtaposing hidden histories with the lived experiences of contemporary society and questioning cultural perspectives

Fischer & el Sani have participated in numerous international exhibitions, including Seoul Media City Bienniale (2014, 2012), Aichi Triennale (2013), Curitiba Biennale (2013), the Istanbul Biennale (2007), the Gwangju Biennale (2008, 2002, 1995), the Sydney Biennale (2002), Manifesta 4, Frankfurt (2002), Liverpool Biennial of Contemporary Art (1999).

Their solo shows have been hosted by, among others: Maxxi Museum, Rome (2017), K21 – Kunstsammlung NRW, Düsseldorf (2016), MART, Dublin (2014), Museu de Arte Moderna Aloisio Magalhães, Recife (2013), the Berlinische Galerie – Museum of Modern Art, Berlin (2012), the Austin Museum of Art – Arthouse, Austin (2012), the Hiroshima Museum of Contemporary Art (2010), the Cobra Museum, Amstelveen (2010), Kunsthaus Glarus (2009), the Stedelijk Museum Bureau, Amsterdam (2007), Yamaguchi Center for Arts and Media (2005), Metropolitan Museum of Photography, Tokyo (1998)

Identity’s Rule of Three

HD, colour, stereo, 20 min., 2015

An an­i­mated film that seizes the highly controversial de­bate around the planned pre­sen­ta­tion of eth­no­log­i­cal col­lec­tions in the re­con­structed Berlin City Cas­tle as an op­por­tu­nity to en­vi­sion a dif­fer­ent fu­ture. Play­ful and yet se­ri­ous, it ex­plores ques­tions of au­then­tic­ity and iden­tity of the in­di­viduum, art, ar­chi­tec­ture and so­ci­ety.

Identity’s  Rule of Three is a collaborative work of Nina Fischer, Maroan el Sani and Bertold Stallmach.

Freedom of Movement

3 chan­nel video in­stal­la­tion, HD, 9:45 min, 2017

Evok­ing the Olympic marathon from Rome 1960, in which the Ethiopian Abebe Bik­ila con­quered the African con­ti­nent’s first gold medal, run­ning bare­foot and be­com­ing a sport­ing leg­end and a sym­bol of an Africa that is free­ing it­self of colo­nial­ism, Fis­cher & el Sani have re­con­tex­tu­alised amidst Rome’s ra­tio­nal­ist ar­chi­tec­ture, a new race in­volv­ing refugees and im­mi­grants stak­ing a claim to their “free­dom of move­ment”, also un­der­stood as the pos­si­bil­ity of being welcomed in an­other coun­try.