Invite or Reject
June, July & August 2011
New York, Chicago and Los Angeles
‘Invite or Reject’ was an ambitious new exhibition curated by MART’s Ciara Scanlan and Matthew Nevin. MART www.mart.ie, is a non profit art organisation based in Ireland and our primary aim is to educate and promote Art to the public; Art in the sphere of New Media, Installation and Performance.
The exhibition consisted of 5 leading Irish Artists work shown in world renown contemporary art galleries in the heart of 3 of most influential cities in the US: New York, Chicago and LA. We have asked artists to submit work that is challenging yet irresistibly welcoming for American audiences to interact and communicate with the art works. This exhibition shall showcase some of Ireland’s leading and emerging visual artists and highlight the strength of our work in the international contemporary art scene.
MART’S ‘Invite or Reject’ refers to the duality of understanding and miscommunication that existed when Irish people first immigrated to America. It is a preconceived notion that Irish people are welcoming and hospitable. It was common for the Irish to be rejected and treated as second-class citizens for the early part of 19th centaury. The current political and social climate in America means it is difficult to gain an entry visa to work there which leaves it now as more of a holiday destination to Irish in stark contrast to history. Through the Art we will showcase we hope to breakdown stereotypes, interact and engage the audience. Many of the artworks are physically interactive and can be added to by the public. The Art works ‘Home’ will be in the gallery, but we want to move outside the gallery space, have a presence on the streets, within the public domain and have satellite branches of work that enter the city.
Artists: Ella Burke, James L Hayes, Sofie Loscher, Matthew Nevin, Nicky Teegan, Ciara Scanlan, Benjamin Gaulon, Joan Healy, Colleen Keough, Margaret O’Brien, Stephen Woods, Adrian Duncan, Benjamin Gaulon, Adam Gibney, and Tony Kenny
MART is proud to announce that this project is part sponsored by Culture Ireland’s strategic focus on promoting Irish Arts in the US in 2011.
Supported by :
I engage with sound, sculpture and electronics in my practice as a means to dissect and manipulate language. The work grapples with parts of knowledge generated by Modern Physics that are hard to imagine or convey in words as certain theories or principles are non-intuitive. I am interested in how our symbolic descriptions of reality, even the axiomatic, have proven to be only temporary and tentative.
The solid formal structures that held truth now exist precariously within the newfound multitudes of reality. The rigorous quest for certainty seems to only expand the terrain of uncertainty. Man has created an abstract language in Mathematics to convey underlying governing principles of our reality, and in so doing a platonic world is created. This world can often become difficult or impossible to convey in everyday language; it is in these places that our imagination and perception are tested.
To delve into the ambiguous nature of the language we use to describe these inherently uncertain fields, I create generative code and installation. Through the programming of interactive code, which embodies scientific principles and quandaries, I aim to overcome the difficulties of uncovering fundamental truths about the world through the abstract manipulations of words and concepts. Using a minimalist approach to installation design, I try to manoeuvre the use of technology for aesthetic and physical application.
Adam Gibney is a Dublin based artist who graduated from IADT in 2010. He was the recipient of the IMOCA Graduate Award, the Aileen MacKeogh Award and the Siamsa Tíre Emerging Artist Award. His solo exhibitions include Limbo-Excavated (2011), RE:definition (2012) , Exercises of an Audionaut (2014) and Euclid, I miss you…(2016). Other notable exhibitions include Futures (Royal Hibernian Academy, 2014), The Reverberatory (Queen Street Studios, 2013) and Around a Volta (Chateau de Servieres, 2011). His work has been exhibited across Europe and America. In 2014, Adam collaborated with actress Caitríona Ní Mhurchú on Eating Seals and Seagulls Eggs, which was shown at the Dublin Fringe Festival (Project Arts Centre) and the Edinburgh Fringe Festival (The Pleasance). From 2014 to 2016, he also worked as a part-time Assistant Lecturer in Fine Art New Media in the School of Creative Arts at DIT Grangegorman. In July 2016, Adam represented Ireland in the V Moscow Biennale for Young Art – Deep Inside. Most recently, Adam exhibited alongside Brian Duggan in The Voyage in CB1 Gallery, Los Angeles.
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