Los Angeles and Dublin
“Is beauty in the eye of the beholder? No, it’s deep in our minds. It’s a gift handed down from the intelligent skills and rich emotional lives of our most ancient ancestors. Our powerful reaction to images, to the expression of emotion in art, to the beauty of music, to the night sky, will be with us and our descendants for as long as the human race exists.”
Denis Dutton – A Darwinian theory of beauty – Nov 2010 – Ted Talk
Curator Matthew Nevin of the Irish Visual Arts organisation MART invited 18 emerging and established Irish visual artists and designers to take part in ‘Instinct’ – a cross disciplinary exhibition showcasing work in three Los Angeles galleries: Santa Monica Art Studios Gallery, The Los Angeles Center for Digital Art and Hive Gallery, and one Irish: The MART Gallery.
“My recent curatorial research has brought my attention to artworks created through various creative processes. By engaging with artists that are responding to the idea of instinctual and personal artistic representation and production I wish to open up perhaps sometimes a confrontational visual argument with the viewer. I have collated a series of artworks that question the role of instinctual art production. These artists strive to develop their ideas through experimentation and use of formal creative training. The exhibition focuses on the process of visual art making and design in order to achieve a collective approach in analysing the current formation of art; its patterns, imagery, performative practices and digital responses artists are making.” – Curator Matthew Nevin
The exhibition aimed to celebrate and build a greater international awareness and appreciation of Irish visual art and design excellence. By building the profiles internationally it began a foundation for future development, exposure and opportunities of Irish Designers & Artists working in California and the wider USA.
Curated by: Matthew Nevin
Artists: Dominic Thorpe, Liam O’Callaghan, Margaret O’Brien, Katherine Nolan, Terence Erraught, Eleanor Lawler, Francis Fay, Aidan Smyth, Olga Criado Monleon, Kayleigh Forsythe, Marie Farrington, Róisín de Buitléar, Gearoid O’Dea, Grainne Tynan, Ida Mitrani,Patricia Douglas, Karen Vaughan, Christina O’Donovan.
I engage with sound, sculpture and electronics in my practice as a means to dissect and manipulate language. The work grapples with parts of knowledge generated by Modern Physics that are hard to imagine or convey in words as certain theories or principles are non-intuitive. I am interested in how our symbolic descriptions of reality, even the axiomatic, have proven to be only temporary and tentative.
The solid formal structures that held truth now exist precariously within the newfound multitudes of reality. The rigorous quest for certainty seems to only expand the terrain of uncertainty. Man has created an abstract language in Mathematics to convey underlying governing principles of our reality, and in so doing a platonic world is created. This world can often become difficult or impossible to convey in everyday language; it is in these places that our imagination and perception are tested.
To delve into the ambiguous nature of the language we use to describe these inherently uncertain fields, I create generative code and installation. Through the programming of interactive code, which embodies scientific principles and quandaries, I aim to overcome the difficulties of uncovering fundamental truths about the world through the abstract manipulations of words and concepts. Using a minimalist approach to installation design, I try to manoeuvre the use of technology for aesthetic and physical application.
Adam Gibney is a Dublin based artist who graduated from IADT in 2010. He was the recipient of the IMOCA Graduate Award, the Aileen MacKeogh Award and the Siamsa Tíre Emerging Artist Award. His solo exhibitions include Limbo-Excavated (2011), RE:definition (2012) , Exercises of an Audionaut (2014) and Euclid, I miss you…(2016). Other notable exhibitions include Futures (Royal Hibernian Academy, 2014), The Reverberatory (Queen Street Studios, 2013) and Around a Volta (Chateau de Servieres, 2011). His work has been exhibited across Europe and America. In 2014, Adam collaborated with actress Caitríona Ní Mhurchú on Eating Seals and Seagulls Eggs, which was shown at the Dublin Fringe Festival (Project Arts Centre) and the Edinburgh Fringe Festival (The Pleasance). From 2014 to 2016, he also worked as a part-time Assistant Lecturer in Fine Art New Media in the School of Creative Arts at DIT Grangegorman. In July 2016, Adam represented Ireland in the V Moscow Biennale for Young Art – Deep Inside. Most recently, Adam exhibited alongside Brian Duggan in The Voyage in CB1 Gallery, Los Angeles.
|Echo Chamber – EUCIDA 2017||Ireland, France, Latvia||June 2017|
|Solo Exhibition||Gachang Art Studio, Daegu, South Korea||September 2017|
|Jealous Wall||Luan Art Gallery, Athlone, Ireland||September 2017|