2 – 10 August 2014
Ciara Scanlan, Matthew Nevin, Trish McAdam, Andrew Carson and Róisín O
Kyoto Art Centre, Japan
‘Imitation is the sincerest form of flattery’
Ciara Scanlan & Matthew Nevin have collaborated with 3 Irish Artists, to produce a performative video installation to be exhibited in Kyoto Arts Centre. The narcissism of modern culture; selfies, minor feats of ‘fame’ and our obsession with self indulgent self promotion via social media has changed how we live day to day. The project involves artists Ciara Scanlan & Matthew Nevin, [ curators of MART www.mart.ie] working alongside Trish McAdam a filmmaker and Artist, Andrew Carson a Visual Artist and Róisín O a singer to utilize their talents from their own disciplines to analyse the process of ‘imitation’. Visitors and participants will be invited to copy and create their own versions of the videos and share on social media creating a viral thread of imitators.
With thanks to Karl Martini the videographer for Andrew Carson and Róisín O videos.
I engage with sound, sculpture and electronics in my practice as a means to dissect and manipulate language. The work grapples with parts of knowledge generated by Modern Physics that are hard to imagine or convey in words as certain theories or principles are non-intuitive. I am interested in how our symbolic descriptions of reality, even the axiomatic, have proven to be only temporary and tentative.
The solid formal structures that held truth now exist precariously within the newfound multitudes of reality. The rigorous quest for certainty seems to only expand the terrain of uncertainty. Man has created an abstract language in Mathematics to convey underlying governing principles of our reality, and in so doing a platonic world is created. This world can often become difficult or impossible to convey in everyday language; it is in these places that our imagination and perception are tested.
To delve into the ambiguous nature of the language we use to describe these inherently uncertain fields, I create generative code and installation. Through the programming of interactive code, which embodies scientific principles and quandaries, I aim to overcome the difficulties of uncovering fundamental truths about the world through the abstract manipulations of words and concepts. Using a minimalist approach to installation design, I try to manoeuvre the use of technology for aesthetic and physical application.
Adam Gibney is a Dublin based artist who graduated from IADT in 2010. He was the recipient of the IMOCA Graduate Award, the Aileen MacKeogh Award and the Siamsa Tíre Emerging Artist Award. His solo exhibitions include Limbo-Excavated (2011), RE:definition (2012) , Exercises of an Audionaut (2014) and Euclid, I miss you…(2016). Other notable exhibitions include Futures (Royal Hibernian Academy, 2014), The Reverberatory (Queen Street Studios, 2013) and Around a Volta (Chateau de Servieres, 2011). His work has been exhibited across Europe and America. In 2014, Adam collaborated with actress Caitríona Ní Mhurchú on Eating Seals and Seagulls Eggs, which was shown at the Dublin Fringe Festival (Project Arts Centre) and the Edinburgh Fringe Festival (The Pleasance). From 2014 to 2016, he also worked as a part-time Assistant Lecturer in Fine Art New Media in the School of Creative Arts at DIT Grangegorman. In July 2016, Adam represented Ireland in the V Moscow Biennale for Young Art – Deep Inside. Most recently, Adam exhibited alongside Brian Duggan in The Voyage in CB1 Gallery, Los Angeles.
|Echo Chamber – EUCIDA 2017||Ireland, France, Latvia||June 2017|
|Solo Exhibition||Gachang Art Studio, Daegu, South Korea||September 2017|
|Jealous Wall||Luan Art Gallery, Athlone, Ireland||September 2017|