/Glitch FESTIVAL 2015: Ireland’s only Interactive Digital Arts Festival
RUA RED and MART
May to June 2015
This year RUA RED have invited Ciara Scanlan + Matthew Nevin of MART to collaborate on the annual digital arts festival /Glitch. This years /Glitch Festival investigates notions of moveable space from an augmented point of view. The curators presented the question “How can technology activate a more visceral connectivity from a virtual standpoint?” to a series of established and emerging Irish and international artists. The artists were encouraged to sample / experiment with both old and new technologies to investigate the influence of technology within space, reassessing what it is to be both local and yet hold an inter/national spatial autonomy.
/Glitch 2015 is housed both in RUA RED & MART Galleries will feature interactive visual & sound artworks that will encourage the audience to engage and experiment with altered technologies. The curators have reconstructed a representational frame of The MART old fire station within RUA RED’s Gallery 1. Altering the traditional white cube to become host to a foreign venue, additionally some work will be displaced and part projected in both venues.
/Glitch is supported by South Dublin County Council and The Arts Council of Ireland
Artists: Adam Gibney, Square in the Circle , David Stalling, Steven Maybury, Anne Cleary & Denis Connolly , Marie Farrington, Brian Duggan, Louise Brady, Cecily Brennan, Jonathan Mayhew, Mark Clare, Bonnie Begusch, Stephanie Golden & Moya Clarken, Katherine Nolan, Sam Jury, and Homebeat
Visit : helenmacmahon.com
Helen Mac Mahon is an Irish artist currently based in Dublin and exhibited in Ireland, Europe, the US and Asia. Her work takes the form of installations, sculpture and photography that explore light and perception.
“My practice is concerned primarily with the phenomena of light, movement, perception and space. The work strives to observe and reveal the ecosystem that exists between the viewer and these intangible elements that exist in a perpetual state of transformation. Changes occurring in each facet has a perceptible impact on others, revealing previously overlooked properties and characteristics.
My investigation of these elements is experimental in nature, and this exploratory process is as important as the finished piece, the unpredictability of the techniques often being key to discovery. I use commonplace materials, such as light, glass, and lenses that have the potential to act in surprising ways, distorting and obscuring the very things it is their function to reveal. Each component acts as a catalyst, bringing to light unseen potential in the simplest of materials. Maintaining the integrity of the materials is also important, so the viewer is allowed to experience the everyday objects in new and often unexpected ways.”