/Glitch Festival : ‘Risk Assessment’
RUA RED & MART Galleries
May – June 2016
Ireland’s leading Digital Arts Festival that brought together artists utilising media and technology, hosted in two Dublin based galleries. RUA RED Gallery Tallaght & The Mart Gallery Rathmines.
/Glitch Festival 2016 was hosted in two Dublin based galleries. RUA RED Gallery Tallaght & The Mart Gallery Rathmines. Curators Ciara Scanlan and Matthew Nevin devised a risk based curatorial outline for an exhibition format with parameters, which the participating artists could work within or destroy. The festival focussed on live durational events and collaboration between digital and live processes.
The curators chose predominately female participants, performers and visual artists to make work exploring the notion of danger and risk within art making and society. The participants produced live experiential artworks and performances that evolved over the week of the festival. The curators created a stage for the artists to react to: a gallery ‘under construction’. Machinery and objects associated with building industry occupied the space ready for alteration, interaction and modifying their mechanics, aesthetics and behaviours.
The artworks were designed to react and interplay with this spectacle, andcreate interactive ‘dangerous & reactionary’ artworks, utilising engineering and arduino programming to enhance the user experience and interaction with the audience. The echoes of the collapse of the construction industry in Ireland created a society in fear of a repeat bubble already forming in the city. A hesitation to taking risks has meant many suburban and rural towns lay dormant, producing a culture of a ‘people in waiting’. For /Glitch 2016 the curators wanted to challenge this fear and become cultural risk activators, inviting artists who work under this umbrella to push the ‘safety’ of the gallery into a challenging experience for artists, curators and audience.
Epigraphing Rathmines – Curated by Moran Been-noon
Celebrating the relationship between art, literary culture, and the life of the community in Rathmines, this experiment brings forward two cultural markers within the neighbourhood: the Rathmines Library and the MART art gallery and studios, and the public space between the two.
Poet Annemarie Ni Churreain and visual artist Steven Maybury will create a collaborative cultural situation in a day-long engagement with the Rathmines community. The artists will respond to the place and the community surrounding them while they work, to generate poetic (visual and literary) representations of the moment, the dialogue, and the location. This event will be performed in both the library and gallery spaces and is open to all community members, artists, and writers to become part of what is aimed to become a portrait of a situation. Come join our epigraphers!
Interpretative documentation of the Epigraphic work, by Abigail Denniston, will be presented during the reception at the gallery at 6.30 pm.
Order of events on Wed. 3rd of December:
12-6 pm – performing artwork & documentation
6.30-8 pm – documented outcome of the work presented in MART Gallery
Annemarie Ni Churreain
Annemarie Ní Churreáin is a poet from Donegal. Her writing often explores loss and reunion, drawing upon the sensuality of landscapes. In 2014, Annemarie was Literature Fellow at Akademie Schloss Solitude, Stuttgart/Germany and Fall Writer In Residence at Jack Kerouac House Orlando/Florida. She has recently been awarded a Hawthornden Castle Fellowship/ Scotland and residencies at The Heinrich Böll Cottage Achill and the Cill Rialaig Arts Centre Kerry. Annemarie is a co-founder of the Upstart Collective and a current member of The GoodHatchery Offaly. More Infohere .
What I do: I create work that reflects the beauty and the energy rooted in the rhythms and cycles of our surroundings, of our consciousness, and of our interrelationships with the world. My practice is primarily realised through drawing and sculptural and my influences recently have been from collecting materials and objects through personal encounters. This stumble upon approach of chance and circumstance is fundamental to my process of selection for source materials and objects to work with.
Abigail Denniston Photography: http://abigaildennistonphotography.weebly.com/
Printer and Printer programming courtesy of Tom O’Dea: http://iamtomodea.com/