/Glitch Festival : ‘Risk Assessment’
RUA RED & MART Galleries
May – June 2016
Ireland’s leading Digital Arts Festival that brought together artists utilising media and technology, hosted in two Dublin based galleries. RUA RED Gallery Tallaght & The Mart Gallery Rathmines.
/Glitch Festival 2016 was hosted in two Dublin based galleries. RUA RED Gallery Tallaght & The Mart Gallery Rathmines. Curators Ciara Scanlan and Matthew Nevin devised a risk based curatorial outline for an exhibition format with parameters, which the participating artists could work within or destroy. The festival focussed on live durational events and collaboration between digital and live processes.
The curators chose predominately female participants, performers and visual artists to make work exploring the notion of danger and risk within art making and society. The participants produced live experiential artworks and performances that evolved over the week of the festival. The curators created a stage for the artists to react to: a gallery ‘under construction’. Machinery and objects associated with building industry occupied the space ready for alteration, interaction and modifying their mechanics, aesthetics and behaviours.
The artworks were designed to react and interplay with this spectacle, andcreate interactive ‘dangerous & reactionary’ artworks, utilising engineering and arduino programming to enhance the user experience and interaction with the audience. The echoes of the collapse of the construction industry in Ireland created a society in fear of a repeat bubble already forming in the city. A hesitation to taking risks has meant many suburban and rural towns lay dormant, producing a culture of a ‘people in waiting’. For /Glitch 2016 the curators wanted to challenge this fear and become cultural risk activators, inviting artists who work under this umbrella to push the ‘safety’ of the gallery into a challenging experience for artists, curators and audience.
My work and research interests revolve around Art, institutions and Social control, which could involve complex labyrinth structures and intertwining systems all interdependent on each other, I am also interested in architecture and the built environment where buildings invoke their own form of control and power, such as Jeremy Bentham’s theories of panopticons and Erving Coffman’s “total Institutions”.
As a multi disciplinary artist I work in a variety of mediums such as etching, film, painting projections, installation where the medium can be interchangeable and hybrid or where the concept of power dictates the medium in that which medium would be more aesthetic or visual.
Multi-disciplinary artist. Work methodologies include constructing and deconstructing mediums and splicing forms together often into large installations which ingulf and dominate a space. Lives and works between London and Dublin. Graduated with a distinction in M.A. Fine Art, printmaking from University of East London. Exhibited and held in collections and archives in U.K., Hong Kong, China, Taiwan, Malaysia, Japan, France, Dubai. Has had several solo shows in Ireland and the U.K. and exhibits regularly in Europe, U.S. and Canada. In 2014 selected for international juried print exhibitions in Spain, New Zealand, Bulgaria, Indonesia. Currently undertaking doctoral research in Fine Art at University of East London. Commissions include producing artworks for theatre, conferances, festivals, educational institutions, hospitals, and community spaces.