Solo Exhibition by James L Hayes
Curated by Siobhán Mooney
Runs 18 July – 5 September 2019
Gallery Open Tuesday – Saturday 1-6 pm
The MART Gallery, Rathmines, Dublin 6
Galvanise is a new body of work by artist James L Hayes, the work presented in both Galleries at MART aims to re-establish and re-introduce the concerns of modernist sculptural language.
Hayes explores aspects of the casting process as a means to interrogate the boundaries between artist and artisan, the ‘ready-made’ and the ‘art object’, whilst also referencing industrial art production and commodification. His sculptures, installations and film works aim to draw out the often incongruous relationships between finished art objects and the industrial aspects of the processes that produce these ‘revered’ objects.
Explorative sculptural works aim to consider new modes of making and bring up questions regarding materiality within the sculpture making tradition and convention. The use of the galvanization process is a pivotal concern in some of these new works. Ideas relating to key classical myths and narratives within the art historical canon spring up in various guises throughout Galvanise. References to important creative influences, such as Welsh artist Barry Flanagan and US based art historian and critic Rosalind Krauss are central to the exhibition.
On Wednesday 24 July at 6.30pm in MART, Lower Rathmines Road, James will be in conversation with the poet, artist and writer Sean Borodale. They will discuss Galvanise, James’s most recent body of work as well as their experience working together in the late 1990s. Hayes will also outline the ongoing concerns and aims of his research and multi-faceted art practice.
James L Hayes is a Contemporary Visual Artist based in Cork, he is a graduate of The Limerick School of Art & Design (LSAD), The University of Vigo, Spain, De Montfort University Leicester and University College London, UK. In 2019 he completed projects with Franconia Sculpture Park & the University of Minnesota in Minnesota, USA and the La Salle College of Creative Arts in Singapore. Hayes is the Principal Lecturer in Sculpture at the Crawford College of Art & Design in Cork and the founder and project director of the International Sculpture symposium, The IRON-R Project (2012/2014 & 2018).
In 2015 he was part of IMMA residency program and recent solo shows were held at the UNO Gallery in New Orleans, USA (2017) The Good Children Gallery in New Orleans, USA (2013). Other recent sculptural works have featured at the Art Market Budapest, MART (2017/18), Redline Contemporary, Denver, Colorado, The West Cork Arts Centre, Art Invite & Reject, MART-New York, Chicago & LA, Drogheda Arts Centre, The MART Instructional European Tour, London, Berlin, Norway, Bratislava, & Dublin, The Worcester Contemporary Open-2010, EV+A 2008 ‘too early for vacation..’ Limerick (curated by Hou Hanru), The USUK International Sculpture Symposia, New York, Global Warming at the ICEBOX’-Philadelphia (curated by Adelina Vlas Curator of Modern & Contemporary Collections-The Philadelphia Museum of Art), The Blankspace Gallery, San Francisco, The Burris Hill Galley, New Mexico.
Hayes has completed a number of significant commissioned public artworks most recently for The Office of Public Works (OPW), The Arts Council of Northern Ireland,], Galway County Council,, Cork County Council, Cork City Council , Mayo County Council & Limerick City.
I engage with sound, sculpture and electronics in my practice as a means to dissect and manipulate language. The work grapples with parts of knowledge generated by Modern Physics that are hard to imagine or convey in words as certain theories or principles are non-intuitive. I am interested in how our symbolic descriptions of reality, even the axiomatic, have proven to be only temporary and tentative.
The solid formal structures that held truth now exist precariously within the newfound multitudes of reality. The rigorous quest for certainty seems to only expand the terrain of uncertainty. Man has created an abstract language in Mathematics to convey underlying governing principles of our reality, and in so doing a platonic world is created. This world can often become difficult or impossible to convey in everyday language; it is in these places that our imagination and perception are tested.
To delve into the ambiguous nature of the language we use to describe these inherently uncertain fields, I create generative code and installation. Through the programming of interactive code, which embodies scientific principles and quandaries, I aim to overcome the difficulties of uncovering fundamental truths about the world through the abstract manipulations of words and concepts. Using a minimalist approach to installation design, I try to manoeuvre the use of technology for aesthetic and physical application.
Adam Gibney is a Dublin based artist who graduated from IADT in 2010. He was the recipient of the IMOCA Graduate Award, the Aileen MacKeogh Award and the Siamsa Tíre Emerging Artist Award. His solo exhibitions include Limbo-Excavated (2011), RE:definition (2012) , Exercises of an Audionaut (2014) and Euclid, I miss you…(2016). Other notable exhibitions include Futures (Royal Hibernian Academy, 2014), The Reverberatory (Queen Street Studios, 2013) and Around a Volta (Chateau de Servieres, 2011). His work has been exhibited across Europe and America. In 2014, Adam collaborated with actress Caitríona Ní Mhurchú on Eating Seals and Seagulls Eggs, which was shown at the Dublin Fringe Festival (Project Arts Centre) and the Edinburgh Fringe Festival (The Pleasance). From 2014 to 2016, he also worked as a part-time Assistant Lecturer in Fine Art New Media in the School of Creative Arts at DIT Grangegorman. In July 2016, Adam represented Ireland in the V Moscow Biennale for Young Art – Deep Inside. Most recently, Adam exhibited alongside Brian Duggan in The Voyage in CB1 Gallery, Los Angeles.
|Echo Chamber – EUCIDA 2017||Ireland, France, Latvia||June 2017|
|Solo Exhibition||Gachang Art Studio, Daegu, South Korea||September 2017|
|Jealous Wall||Luan Art Gallery, Athlone, Ireland||September 2017|