Solo Exhibition by James L Hayes
Curated by Siobhán Mooney
Runs 18 July – 5 September 2019
Gallery Open Tuesday – Saturday 1-6 pm
The MART Gallery, Rathmines, Dublin 6
Galvanise is a new body of work by artist James L Hayes, the work presented in both Galleries at MART aims to re-establish and re-introduce the concerns of modernist sculptural language.
Hayes explores aspects of the casting process as a means to interrogate the boundaries between artist and artisan, the ‘ready-made’ and the ‘art object’, whilst also referencing industrial art production and commodification. His sculptures, installations and film works aim to draw out the often incongruous relationships between finished art objects and the industrial aspects of the processes that produce these ‘revered’ objects.
Explorative sculptural works aim to consider new modes of making and bring up questions regarding materiality within the sculpture making tradition and convention. The use of the galvanization process is a pivotal concern in some of these new works. Ideas relating to key classical myths and narratives within the art historical canon spring up in various guises throughout Galvanise. References to important creative influences, such as Welsh artist Barry Flanagan and US based art historian and critic Rosalind Krauss are central to the exhibition.
On Wednesday 24 July at 6.30pm in MART, Lower Rathmines Road, James will be in conversation with the poet, artist and writer Sean Borodale. They will discuss Galvanise, James’s most recent body of work as well as their experience working together in the late 1990s. Hayes will also outline the ongoing concerns and aims of his research and multi-faceted art practice.
James L Hayes is a Contemporary Visual Artist based in Cork, he is a graduate of The Limerick School of Art & Design (LSAD), The University of Vigo, Spain, De Montfort University Leicester and University College London, UK. In 2019 he completed projects with Franconia Sculpture Park & the University of Minnesota in Minnesota, USA and the La Salle College of Creative Arts in Singapore. Hayes is the Principal Lecturer in Sculpture at the Crawford College of Art & Design in Cork and the founder and project director of the International Sculpture symposium, The IRON-R Project (2012/2014 & 2018).
In 2015 he was part of IMMA residency program and recent solo shows were held at the UNO Gallery in New Orleans, USA (2017) The Good Children Gallery in New Orleans, USA (2013). Other recent sculptural works have featured at the Art Market Budapest, MART (2017/18), Redline Contemporary, Denver, Colorado, The West Cork Arts Centre, Art Invite & Reject, MART-New York, Chicago & LA, Drogheda Arts Centre, The MART Instructional European Tour, London, Berlin, Norway, Bratislava, & Dublin, The Worcester Contemporary Open-2010, EV+A 2008 ‘too early for vacation..’ Limerick (curated by Hou Hanru), The USUK International Sculpture Symposia, New York, Global Warming at the ICEBOX’-Philadelphia (curated by Adelina Vlas Curator of Modern & Contemporary Collections-The Philadelphia Museum of Art), The Blankspace Gallery, San Francisco, The Burris Hill Galley, New Mexico.
Hayes has completed a number of significant commissioned public artworks most recently for The Office of Public Works (OPW), The Arts Council of Northern Ireland,], Galway County Council,, Cork County Council, Cork City Council , Mayo County Council & Limerick City.
GLITCH FESTIVAL DUBLIN 2017
SEDIMENTARY STRUCTURES – TRACES OF THE LIVE EVENT
2 MAY – 10 JUNE
RUA RED Gallery, Tallaght
Curated by Matthew Nevin & Ciara Scanlan of MART.
Assistant curator: Deirdre Morrissey
Feat. David Beattie, Livestock, Cliona Harmey, Robin Price, David Lunney, Richard Forrest, Cathy Coughlan and Cécile Babiole.
ABOUT GLITCH FESTIVAL
Glitch Festival is celebrating its 6th year and has grown into Ireland’s foremost digital arts festival. We work to bring the best of digital arts practices to the fore. Glitch Festival brings leading media and technology artists, curators and artist groups together with audiences to draw out connections between art, culture and technology with the aim of fostering greater critical understanding and debate around artist’s interaction, investigation and intersection with technologies.