Freedom of Movement



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Freedom of Movement

Nina Fischer & Maroan el Sani

Curated by Deirdre Morrissey supported by Directors Matthew Nevin & Ciara Scanlan.

The exhibition is kindly supported by The Arts Council of Ireland, an IMMA Production Residency, Goethe Institut Dublin and the Institut für Auslandsbeziehungen.

Opening reception: Thurs 24 August 6pm – 8pm

Exhibition continues: 25 Aug – 22 Sept 2017

Gallery Open: Tues – Sat, 1pm -6pm

Closing event: Late Opening for Culture Night, Friday 22 September 2017 – 5-9pm

 

The MART Gallery’s curatorial vision for 2017 is to select artists who work under the parameters of risk and political agitation, creating powerful, informative and experimental work. We are delighted to present ‘Freedom of Movement’ an exhibition of film work by renowned German artists Nina Fischer & Maroan el Sani.

MART first introduced the work of Fischer & el Sani to Ireland in 2014 when the artists presented film works ‘Narita Field Trip’ and ‘Spelling Dystopia’ in an exhibition curated by Barry Kehoe.  Both pieces were created when the artists were Associate Professors at the School of Art and Design in Sapporo City University in Japan and explored tensions that arise between the forces of globalisation and specific local narratives.

Always keen to build upon established relationships with international artists, MART has invited Fischer and El Sani back to Dublin for the presentation of two recent film installations ‘Identity’s Rule of Three’ (2015) and ‘Freedom of Movement’ (2017) These films pose questions on various aspects of human identity and society, the limits of geographical, artistic and social structure, and race relations.

Nina Fischer & Maroan el Sani are visual artists and directors who have worked collaboratively since the 1990s and both live and work in Berlin. Through their work they have explored narratives in various sites around the world juxtaposing hidden histories with the lived experiences of contemporary society and questioning cultural perspectives

Fischer & el Sani have participated in numerous international exhibitions, including Seoul Media City Bienniale (2014, 2012), Aichi Triennale (2013), Curitiba Biennale (2013), the Istanbul Biennale (2007), the Gwangju Biennale (2008, 2002, 1995), the Sydney Biennale (2002), Manifesta 4, Frankfurt (2002), Liverpool Biennial of Contemporary Art (1999).

Their solo shows have been hosted by, among others: Maxxi Museum, Rome (2017), K21 – Kunstsammlung NRW, Düsseldorf (2016), MART, Dublin (2014), Museu de Arte Moderna Aloisio Magalhães, Recife (2013), the Berlinische Galerie – Museum of Modern Art, Berlin (2012), the Austin Museum of Art – Arthouse, Austin (2012), the Hiroshima Museum of Contemporary Art (2010), the Cobra Museum, Amstelveen (2010), Kunsthaus Glarus (2009), the Stedelijk Museum Bureau, Amsterdam (2007), Yamaguchi Center for Arts and Media (2005), Metropolitan Museum of Photography, Tokyo (1998)

Identity’s Rule of Three

HD, colour, stereo, 20 min., 2015

An an­i­mated film that seizes the highly controversial de­bate around the planned pre­sen­ta­tion of eth­no­log­i­cal col­lec­tions in the re­con­structed Berlin City Cas­tle as an op­por­tu­nity to en­vi­sion a dif­fer­ent fu­ture. Play­ful and yet se­ri­ous, it ex­plores ques­tions of au­then­tic­ity and iden­tity of the in­di­viduum, art, ar­chi­tec­ture and so­ci­ety.

Identity’s  Rule of Three is a collaborative work of Nina Fischer, Maroan el Sani and Bertold Stallmach.

Freedom of Movement

3 chan­nel video in­stal­la­tion, HD, 9:45 min, 2017

Evok­ing the Olympic marathon from Rome 1960, in which the Ethiopian Abebe Bik­ila con­quered the African con­ti­nent’s first gold medal, run­ning bare­foot and be­com­ing a sport­ing leg­end and a sym­bol of an Africa that is free­ing it­self of colo­nial­ism, Fis­cher & el Sani have re­con­tex­tu­alised amidst Rome’s ra­tio­nal­ist ar­chi­tec­ture, a new race in­volv­ing refugees and im­mi­grants stak­ing a claim to their “free­dom of move­ment”, also un­der­stood as the pos­si­bil­ity of being welcomed in an­other coun­try.

 




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Crumlin Gallery & Studios




65 Crumlin Road, Drimnagh, Dublin 12


The 11 studios of the MART's Crumlin Gallery & Studios are based in Lower Crumlin road, nearby to the scenic Grand Canal. Featuring large spacious rooms with tall windows and high ceilings, these bright, airy spaces make an ideal working environment. 

Location

Across the canal is Dolphin’s barn, and this studio is also close to a number of residential areas: Rialto, Crumlin, Kimmage and Harold’s Cross. Only a short bus or Luas ride from the city centre. This building is home to a range of visual artists and creative professionals and is an ideal space for working in a calm, peaceful atmosphere.

Transport

The Crumlin studios are situated on bus routes 17, 27, 56a, 77a, 151. Ten minutes walk from Suir Road Luas Stop.

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 Our Studio Members

The Dublin Inqurier |  Cormac Dillon | Horhay Ruiz | Merce Canadell | Vijaya Bateson | Alice Brady | Caroline Power | Joe Lynch | Paola Invernizzi | Niamh Hannaford | Aoife Caffrey | Collette Flores | Vanessa Power | Annie Gahan | Leonie Connellan | Hugh Travers

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Leonie Connellan

Leonie Connellan is a print-based artist originally from Melbourne, Australia, now living in Dublin. Her work explores the relationship between science and storytelling, with the ultimate goal of creating a sense of scientific understanding, wonder and curiosity about the structure of the universe and our place in it. crumpart.net


Collette Flores

I am based in Dublin and create Bespoke lampshades from vintage, antique and newly designed digitally printed fabrics. xochique.com


Niamh Hannaford

Niamh was born in 1987. She was 3.16 kg, 54 cm. She had a small tuft of curls on top of her head, which her mother dressed in a bow. In 2017 she weighs 70 kg and is 174 cm. Her hair is shoulder length and she still wears a bow. She uses her work to explore her inner fears with a playful curiosity. Still, she is constantly terrified. niamhhannaford.com


Joe Lynch

I'm Joe, Dublin based illustrator/painter. I graduated from animation (2011) and illustration (2014) in BCFE. Previously I worked as a graphic designer, fashion design intern and a tattoo apprentice so my work takes extensive influence from these past ventures. I've taken part in two collaborative exhibitions to date which were held in Ballyfermot library and Farmleigh, the goal of this new venture is to exhibit more and have fun doing it. Instagram.


Alice Brady

Alice is a passionate embroiderer whose love of place and detail is central to her work. She uses her extensive knowledge of embroidery and textile techniques to create contemporary wall art. Alice is interested in the environments around us – more specifically, the aspects that get overlooked or taken for granted. Her embroideries capture these details in order to create pieces which accurately convey the atmosphere of a particular place. Currently she is working on a series of pieces inspired by Dublin, the place she knows better than any other. The county of Dublin is a perfect example of how the landscape transforms from rural to urban, and it is this dialogue which is celebrated in Alice’s work. Through a process of drawing, photographing and editing, Alice selects the colours, textures and motifs that define a place. Each location that Alice works from inspires the techniques and materials she uses. An array of traditional hand embroidery techniques are presented in a contemporary context. Alice graduated from the Royal School of Needlework in 2017 with a BA in Hand Embroidery. She has worked on a number of high profile projects such as the Nicholas Oakwell for GREAT Britain Campaign and the HBO Game of Thrones Hardhome Embroidery. In 2016, her work was displayed in the Craft Study Centre in Farnham as part of a work in progress show running alongside the ‘Make It OK?’ exhibition. bealicetextiles.wixsite.com/be-alice