Can You Hear Me Now?



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MART are delighted to present the exhibition Can You Hear Me Now? kindly supported by Crawford College and The Arts Council of Ireland. The exhibtion is presented as part of the annual Crawford Graduate Award. Mentorship by Livestock.

Preview: Thursday 2 November 2017 @6pm
Location: The MART Gallery, 190A Rathmines Rd, Lwr, Dublin 6
Runs to: 1 December 2017
Open: Tues-Sat: 1-6pm

Artists: Enid Conway, Elena Sawczenko, Thomas Spencer, Chloe Tetrault.

Performance with Livestock for Dublin Gallery Weekend: Saturday 25 November 3-6pm.

In the inaugural year of the Crawford Graduate Award Show at MART Gallery, Can You Hear Me Now showcases Crawford College graduates working specifically in performance based practice.  The exhibition unifies the work of four graduates work whose practices deal with concerns around identity, voice and the body.

Enid Conway explores how language is used by women to communicate and express themselves. Similar to games, functioning by conceptual rules known by the users, language is a construction that needs to be learned. Through a series of audio recordings of women telling mundane yet intimate stories, Conway examines the relationship between image verses word and how women express their inner worlds using this system.

Thomas Spencer utilises humour and irony in video performative works to evoke a sense of anxiety, excitement and liberation. Through intense media based experimentation, using stop motion techniques together with endurance based performance, Spencer is attempting to understand the reasons behind repressed actions.

Chloe Tetrault Kearney’s  practice is influenced by the philosophies and ideas of the Medieval alchemical tradition and the neoplatonic revival of the middle ages. The concerns of which were the mind-body problem, the unity of opposing forces and the reconciliation of dualism, as seen through the lense of the natural world. . The artist proposes the work as a portrait of  embodied experience; of existing simultaneously as a corporeal being and a conscious observer.

Elena Sawczenko uses video and sound to create installations based on the transformation of sound from an aural experience into a visual/visceral one. As a natural compensation for losing her hearing, Elena has had to rely on developing other senses to fill the void left by permanent silence. Even though she is deaf, sound  plays a major role in her life,  having to interpret this in different ways to hearing people.

 




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Activating Pangea: The Voyage




‘Activating Pangea: The Voyage’

Nov 5th – Dec 4th 2016

CB1 Gallery Los Angeles 

Dublin based curators Matthew Nevin & Ciara Scanlan of MART have embarked on a 3 year initiative to bring leading and emerging contemporary Irish art to Los Angeles through their series ‘Activating Pangea’.

This the second exhibition in the series titled ‘Activating Pangea: The Voyage’  showcases recent work by Irish Artists Brian Duggan and Adam Gibney. It reflects on geopolitics over time and space, as we transverse language and negotiate real and imagined places in a global context. The artworks crossing in the gallery are Adam Gibney’s ‘Euclid, I miss you…’ and Brian Duggan’s ‘A Cause for concern but not alarm’.

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Gibney’s work targets the quest for certainty. He states, “Man has created an abstract language in Mathematics to convey underlying governing principles of our reality, and in so doing a platonic world is created. This world can often become difficult or impossible to  convey  in  everyday  language;  it  is  in  these  places  that  our  imagination  and perception are tested.” In this exhibition the points of which Gibney’s work targets reality, linguistics and technologies intermingle with the symbolic annotations of the everyday.

Duggan’s work is informed by the way in which we live now. Duggan’s work questions the aspirations and assumptions that are interlinked within the scientific and social framework of energy consumption and legacy planning. The systems in place are always evolving, attempting to catch up to an elusive plateau that is inherently unstable. Through the work presented here Duggan “plunges the viewer into a realm where seemingly casual navigation of space bespeaks chilling (hi)stories”

‘The Voyage’ allows the visitor to refocus their own experiences and memories through the interpretation and assimilation of language and analyse their own exploitative journeys through space and time. Focusing on the quest for answers of our own existence and our place within an imagined world without borders, without physical and cultural barriers, the exhibition suggests new ways of being and thinking, while investigating the conditions of concerning events and symbolics of reality.

Download the Exhibition Handout Here for full details.

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