Acts to Objects



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Activating Pangea: Acts to Objects

 

Curated by: Ciara Scanlan & Matthew Nevin of MART Gallery Dublin
Runs: March 15th – April 29nd 2018
Gallery: LACE, Los Angeles.
Artists: Aine Phillips, Amanda Coogan, Helen Mac Mahon, Margaret O’Brien,
Katherine Nolan, Eleanor Lawler, Laura O’Connor, and Jane Fogarty.

Opening Reception: March 15th, 2018, 7-10 PM

The opening night will feature performances by: Amanda Coogan, Eleanor Lawler, Cindy Rehm, Thinh Nguyen and Mothertongues (Meital Yaniv & Kim Ye).

Art and cultural practice often seeks to challenge the primacy of the visual in Western culture, as dominated by a pervasive masculinised privileged gaze (Irigaray). To affect change women artists too have sought ways to refute, undermine and evade this primacy of the visual in art practice in order to find a visual language and a voice that can be heard (Mary Kelly).

So too have artists harnessed and heightened the spectacle of the visual as means to staking a claim to the authorship of cultural practice, and thereby a form of subjectivity. It is in the tradition of these ‘attention grabbers’ that the artists in this show employ strategies that arrest and twist the gaze, that clamber for visibility. The artworks play with and investigate the idea of art as spectacle, whether refracting and manipulating light, playing on expectations of material form and colour, or performing acts that intervene in social space and norms.

As a set of work disparate in form, from sculpture to performance, together they speak to ideas of spectacle. The art works shun the lingering forces that continue to undermine women’s right to cultural authorship, unapologetic in staking their claim to visibility. The philosophical terms that frame westernised art practices assert ‘calling attention to’ as a critical strategy: these art works glisten, tousle and shout.

The exhibition is staged in Los Angeles, the locus of production of the Hollywood spectacle, that much early feminist discourse critiqued for its dominant gendered narratives that constantly position women as passive objects to the active masculine look, that continues to persist in new forms. Bringing together artists from Los Angeles and Ireland that span a number of generations, in order to explore the role of spectacle in feminist practice today.




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Residency




Cultural Dialogues 

In a fluid model, visiting International artists interact with Irish-based artists during the residency. During this time artists are encouraged to develop their ideas through peer exchange and collaboration. This is an exciting opportunity for both long and short term residencies that provides artists with time space and support to think, take-risks and develop their practice. MART is offers this unique professional development opportunity to support the production of Contemporary Art though cultural exchange and dialogue.

The Residency Space

Newly converted stables situated in the heart of Rathmines, and alongside the iconic MART Firestation Gallery and Studios. Residents will be able to benefit from the central location and MART’s established reputation in the Dublin art scene, and internationally. The workspace is 6×6 meters, with large double barn doors, and access to kitchen area.  In this residency three contemporary artists will work alongside each other in an environment of dialogue and support.

Residents 2016

Liing Heany (IRL) Andy Morris (IRL) Roisin McNamee (IRL)

Josh Gibbs (UK) Edwina Bracken (UK) Lauren Pray (US)

William Cravis (US) Maria Pinto (PT) John Moran (US)

Auður Lóa Guðnadóttir (ISL) Luis Hilario Tovar Bonilla (MEX)

Residents 2015

David Yu (CAN)  Eilidh Wilson (UK) Francesco Snote (ITA)