Activating Pangea: Acts to Objects
Curated by: Ciara Scanlan & Matthew Nevin of MART Gallery Dublin
Runs: March 15th – April 29nd 2018
Gallery: LACE, Los Angeles.
Artists: Aine Phillips, Amanda Coogan, Helen Mac Mahon, Margaret O’Brien,
Katherine Nolan, Eleanor Lawler, Laura O’Connor, and Jane Fogarty.
Opening Reception: March 15th, 2018, 7-10 PM
Art and cultural practice often seeks to challenge the primacy of the visual in Western culture, as dominated by a pervasive masculinised privileged gaze (Irigaray). To affect change women artists too have sought ways to refute, undermine and evade this primacy of the visual in art practice in order to find a visual language and a voice that can be heard (Mary Kelly).
So too have artists harnessed and heightened the spectacle of the visual as means to staking a claim to the authorship of cultural practice, and thereby a form of subjectivity. It is in the tradition of these ‘attention grabbers’ that the artists in this show employ strategies that arrest and twist the gaze, that clamber for visibility. The artworks play with and investigate the idea of art as spectacle, whether refracting and manipulating light, playing on expectations of material form and colour, or performing acts that intervene in social space and norms.
As a set of work disparate in form, from sculpture to performance, together they speak to ideas of spectacle. The art works shun the lingering forces that continue to undermine women’s right to cultural authorship, unapologetic in staking their claim to visibility. The philosophical terms that frame westernised art practices assert ‘calling attention to’ as a critical strategy: these art works glisten, tousle and shout.
The exhibition is staged in Los Angeles, the locus of production of the Hollywood spectacle, that much early feminist discourse critiqued for its dominant gendered narratives that constantly position women as passive objects to the active masculine look, that continues to persist in new forms. Bringing together artists from Los Angeles and Ireland that span a number of generations, in order to explore the role of spectacle in feminist practice today.
GLITCH FESTIVAL DUBLIN 2017
SEDIMENTARY STRUCTURES – TRACES OF THE LIVE EVENT
2 MAY – 10 JUNE
RUA RED Gallery, Tallaght
Curated by Matthew Nevin & Ciara Scanlan of MART.
Assistant curator: Deirdre Morrissey
Feat. David Beattie, Livestock, Cliona Harmey, Robin Price, David Lunney, Richard Forrest, Cathy Coughlan and Cécile Babiole.
ABOUT GLITCH FESTIVAL
Glitch Festival is celebrating its 6th year and has grown into Ireland’s foremost digital arts festival. We work to bring the best of digital arts practices to the fore. Glitch Festival brings leading media and technology artists, curators and artist groups together with audiences to draw out connections between art, culture and technology with the aim of fostering greater critical understanding and debate around artist’s interaction, investigation and intersection with technologies.