Activating Pangea



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DAC Gallery, Los Angeles

April 2016 

‘Activating Pangea’ is three-year series of exhibitions curated by MART {Dublin}, who will work with targeted Los Angeles based galleries and art fairs, to strategically promote leading Irish Contemporary Visual Artists.

This first exhibition in the series seeks to activate Pangea, an imagining of our pre-human world without borders, without physical and cultural barriers that prevent new ways of being and thinking. ‘Activating Pangea’ will showcase artwork reflecting on geopolitics and how we understand our own identity and culture over time and space, as we transverse and negotiate real and imagined places in a global context.  Artists create imagined spaces and show us a world that can never exist, it is their role to present reality through a twisted and subverted looking-glass. Imagined places can exaggerate and distort reality; the experience of being in places we have pre-conceived seems to force a new reality upon us.

Globalisation, and increased movement and communication across place and national borders, has created both a crisis and a critical rethinking of cultural identity. And yet recent anxieties emerging in the context of an immigration crisis in europe and the middle east, have seen the tightening of national boundaries. The exhibition series will see artists produce work that reflects on how diaspora and migration, the movement of people and cultures across space, has the ability to question fixed ideas of identity.  

Though genetic codes and their cultural inscriptions each person takes their ‘brand’ wherever they go. And yet our experiences of our own identity as we age over time, can make it problematic to hold on to a persistent identity; our understanding of a unique set of characteristics, qualities and features that make us who we are. In particular they will reflect on experiences of Irish Cultural Identity and Diaspora.

Generously Supported by Culture IrelandCulture_Ireland-2016_Colour

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Adam Gibney




Visit: adamgibney.com

View: Artist CV | Artist Portfolio | Artist Reviews

Artist Statement

I engage with sound, sculpture and electronics in my practice as a means to dissect and manipulate language. The work grapples with parts of knowledge generated by Modern Physics that are hard to imagine or convey in words as certain theories or principles are non-intuitive. I am interested in how our symbolic descriptions of reality, even the axiomatic, have proven to be only temporary and tentative.

The solid formal structures that held truth now exist precariously within the newfound multitudes of reality.  The rigorous quest for certainty seems to only expand the terrain of uncertainty. Man has created an abstract language in Mathematics to convey underlying governing principles of our reality, and in so doing a platonic world is created. This world can often become difficult or impossible to convey in everyday language; it is in these places that our imagination and perception are tested.

To delve into the ambiguous nature of the language we use to describe these inherently uncertain fields, I create generative code and installation. Through the programming of interactive code, which embodies scientific principles and quandaries, I aim to overcome the difficulties of uncovering fundamental truths about the world through the abstract manipulations of words and concepts. Using a minimalist approach to installation design, I try to manoeuvre the use of technology for aesthetic and physical application.

 Biography

Adam Gibney is a Dublin based artist who graduated from IADT in 2010. He was the recipient of the IMOCA Graduate Award, the Aileen MacKeogh Award and the Siamsa Tíre Emerging Artist Award. His solo exhibitions include Limbo-Excavated (2011), RE:definition (2012) ,  Exercises of an Audionaut (2014) and Euclid, I miss you…(2016). Other notable exhibitions include Futures (Royal Hibernian Academy, 2014), The Reverberatory (Queen Street Studios, 2013) and Around a Volta (Chateau de Servieres, 2011). His work has been exhibited across Europe and America. In 2014, Adam collaborated with actress Caitríona Ní Mhurchú on Eating Seals and Seagulls Eggs, which was shown at the Dublin Fringe Festival (Project Arts Centre) and the Edinburgh Fringe Festival (The Pleasance). From 2014 to 2016, he also worked as a part-time Assistant Lecturer in Fine Art New Media in the School of Creative Arts at DIT Grangegorman. In July 2016, Adam represented Ireland in the V Moscow Biennale for Young Art – Deep Inside. Most recently, Adam exhibited alongside Brian Duggan in The Voyage in CB1 Gallery, Los Angeles.

RECENT EXHIBITIONS

 Echo Chamber – EUCIDA 2017  Ireland, France, Latvia  June 2017
 Solo Exhibition  Gachang Art Studio, Daegu, South Korea  September 2017
 Jealous Wall   Luan Art Gallery, Athlone, Ireland  September 2017