190a Retelling



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‘190 A Retelling’  – Visual Art Exhibition

The MART Gallery, 190a Rathmines Road Lower, Rathmines, Dublin 6.

MART invited the local public, former residents of the building and The Dublin Fire Brigade to attend and tell a story or two about “190a”, and visit the new incarnation as a Gallery and meet the new residents, Artists. 

 

‘The house shelters day-dreaming, the house protects the dreamer, the house allows one to dream in peace.”  Gaston Gachelard – The poetics of space.

MART curators Matthew Nevin & Ciara Scanlan have invited 5 artists to make site-specific works around the newly renovated 150 year old fire station in Rathimnes. Through the re-appropriation of old forgotten artefacts and found objects of the building a visual conversation will tell the story of the generations of uses and lives that passed through. The building itself has morphed through many forms: a library, a home, storehouse, fire station, The Civil Defence, pigeon layer and finally The MART Gallery and Studios. The exhibition will host interactive and temporal sculptures, sound recordings and photography based on the history of the building itself and the power of place to hold memory and drive the imagination.

Artists: Sinead Bligh, Gerard Erraught, Jessica Kelly, Ciara Scanlan, Emily O’Callaghan, Jim O’Callaghan, Trish McAdam.

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Dragons of Eden | Aoibheann Greenan & Terence Erraught




MART curators Matthew Nevin & Ciara Scanlan are delighted to present Dragons of Eden, an exhibition featuring Aoibheann Greenan and Terence Erraught, with thanks to Arts Council Ireland and Dublin City Council.

Preview: Thursday 15 June 2017 @ 6pm

Location: The MART Gallery, 190A Rathmines Rd, Lwr, Dublin 6.

Runs to: 13 July 2017

Open: Tues-Sat: 1-6pm 

Facebook Photo Gallery 

 

‘Dragons of Eden’ featuring work by Aoibheann Greenan {Gallery 1} and Terence Erraught {Gallery2} addresses mythological and real world societal challenges. The curators invited the artists to produce work that can provoke the limitations of the gallery environment, producing informative and experimental new work that can tease out radical ways of viewing and perceiving our culture and society. Greenan and Erraught have responded here with powerful creations that take on alternative perspectives on gender representation via symbols and icons of ancient cultures experienced through a schema of digital means.

Aoibheann Greenan presents The Eighth Seal, an installation and audio piece prompted by the Repeal the 8th movement and the ongoing struggle of Irish Women over the right to bodily autonomy. A radio interview reimagines the origins of Sheela na Gigs, ancient carvings scattered throughout Ireland depicting figures with exposed vulvas. Eschewing the tendency to interpret the Sheela through patriarchal narratives, the work proposes the symbol as both a harbinger of emancipation and metaphor for resistance. Esoteric and posthumanist motifs permeate the work, echoing the historical link between radical speculative fiction and movements for social change. The installation conjures a site for gathering, a space for consciousness raising, for invoking, for conspiring.

Terry Erraught’s work explores the masculine agenda of the contemporary artwork by addressing audiences increasingly desensitization of socio-political heinous events. In an era of instant digital media distribution, brutal violence appears to have become part of our daily routine, with audiences becoming increasingly indifferent. By engaging with mainstream media but using a primitive, ritualistic approach, Erraught attempts to connect with world events as they occur and enter our psyche. ‘Composition’ is a durational digital video painting, rather than an episodic performance, which contains references to multiple catastrophic events in recent times. Through a recognisable mythological and art historical aesthetic, the artist draws on his own personal experiences by physically manifesting into each of the constituent characters and situations in the video work. This can also be seen in Erraught’s second piece Saturn (The world revolves around me) which is a smaller installation or 3D painting recorded from a live performance. It is heavily influenced by Goya’s black paintings which portray Goya’s embittered attitude toward mankind, and struggles with panic, fear and hysteria specifically ‘Saturn Devouring his Son 1820-23’.

Dragons of Eden MART Gallery