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LISA MARIE JOHNSON

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BIOGRAPHY

Lisa-marie Johnson, is an artist based in Dublin originally from Co. Carlow, Ireland. She works in video, installation, performance and participatory practice. She is currently researching a masters at Ncad in sculpture. She has shown a new piece of work, ‘Human error’, as part of afoundation, Liverpool biennial , november 08, and as part of live 8 Galway 08, Curated by Vivienne Dick. Invited by Pj Brady and Beal, Cork to read from her works Jan 09. Selected to show film /video work as part of Social forum Irish Exhibtion, Brazil o9. She was invited to perform as part of the Mermaid arts centre ‘Terms and Conditions’ 07, curated by Pauline Cummins She has shown her work in fringe festival Dublin 02, 03, 05, nominated for the best fringe show 2002. She has shown her work in Eigse 06 and Eva 06, Her work was reviewed on Rte news, her work was about post-natal depression , It was then reviewed on Rte’s Nationwide april 06, She has performed ,curated and organised events with artist Seamus Nolan , for Hotelballymun 07.

She performed in Tulca performance festival 2006, 2007. She performed at Harburg-Hamburg museum of modern art 2006, She is designing a book from her work with artists in London. She is collaborating on a new work with film-maker Vivienne Dick . She has been selected to show anonomom in Wharf Holland sep 08, She was selected by Common Ground for a studio Residency, Dublin, 08.

She has been selected to represent her work in Slovenia in Summer 08. She collaborated with artist Marina De Silva De silva -Brazil and created an image and performance work – EXPORT

She has recieved burasaries from the Arts Council Ireland for her work, The Carlow Arts award 07 & 08.

Her work is powerful, a real punch in the stomach: Katrina Gregos, International Curator.

My work considers the notion of public space how we as inhabitants of our dwellings consider consumerism,it carries conditions like a human condition, a very real facilitation of a new island or state belonging, space and site has the ability to be transformed into an urban natural, in that, it can be looked at, it can be thought about and understood, it can even be traded as cultural capital, it can be experienced in all these ways and yet also realised it is residues of a homeland , my home my land .This work is to do with social change and how we evolve in an urbanised context .While also questioning a form of public art, what public are we affecting and how much and how does live art deal with this direct public response /relationship.

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